It’s often said that Dreanworks has an inconsistent track record with their animated features. They’ll pop out some really good ones when they want to, but then they seem to toss in some less-than memorable ones in between. Some claim this inconsistency is due to Dreamworks trying too hard to one-up the competition, leaving them to often feel more excessive than genuine. While these complaints aren’t always warranted, consider Turbo to be one of the reasons they’re still brought up.
Turbo tells the story of a snail named Theo (Ryan Reynolds), who dreams of being a famous race car driver like the ones he watches on TV. His brother Chet (Paul Giamatti) tells him to get his head out of the clouds, but a freak accident ends up fusing Theo’s DNA with nitrous oxide, giving him super speed and car-like abilities, and he is renamed ‘Turbo’. This leads to a series of events that ultimately leads Theo and Chet in the company of a group of humans and a small parade of fellow snail characters, who help Turbo enter the Indy 500.
The preposterous premise helps make the film a little more entertaining than it might otherwise be. Unfortunately this premise seems like a very thin guise for Dreamworks to capitalize on the popularity of Pixar’s Cars franchise (the snail characters themselves might bring to mind Lightning McQueen and friends transformed into mollusks).
The story feels like your typical “follow your dreams” plotline that accompanies the majority of animated movies, with Turbo having little to no other defining character traits than his desire to be a racer. Chet is your atypical stick in the mud, while the other snails seem defined solely by their running gags, and the humans by their racial stereotypes.
What gets these characters from point A to point B has a tendency to be exactly what you think it would be. The movie offers nothing in the realm of surprises, but at the very least, it does have some funny moments when it wants to (though an insistence on humor based around social media and autotuned remixes in the second half feels a bit cheap).
To its credit, Turbo does include a quality voice cast, with Reynolds and Giammatti being joined by a small army of celebrity voices that give the movie some energy as well as credibility. And it boasts some lively, colorful animation.
The problem is that Turbo’s tank is running on empty when it comes to storytelling. It follows just about every cliche in the book without a second thought. It’s telling when the movie’s very best moments feel like its siphoning the creative gases of other films, never bearing the same results as its inspirations.
It may have a fresh coat of paint, but there’s nothing under turbo’s hood.