The Croods is a more appealing movie than its bland title might suggest. But it also won’t be ranked alongside Dreamworks’ best work. It’s ambitious in scale and filled with colorful character designs, but it’s also restrained when it comes to narrative. The Croods is a solid entry in the Dreamworks canon, but one that won’t exactly win over those who claim they prefer style over substance.
The film stars a family of cavemen, the titular Croods. At the head of the family is the patriarch, Grug (Nicholas Cage), who dedicates himself to his family’s survival in the hostile prehistoric environment. He’s well-meaning enough, but a bit paranoid of the world, which leads him to often butt heads with his rebellious daughter Eep (Emma Stone), who wants nothing more than to go out and see the world. The rest of the family gets considerably less screen time, but they include the mother Ugga, the brother Thunk, and baby sister Sandy, as well as Grug’s mother-in-law Gran. They’re a fun lot of characters when they need to be, though they do feel a bit archetypal.
Every day is the same in the Crood household (cavehold?), they wake up, scavenge for food, and avoid being eaten by sabertoothed cats and other such creatures, only to return to the cave to hide until the next morning. But their world is turned upside down when Eep meets a guy named Guy (Ryan Reynolds), who informs her that the end of the world is coming, and that he’s heading for the land of “Tomorrow” which is safe from the impending apocalypse. It isn’t long before the Croods’ home is destroyed in the ensuing chaos, and they seek help from Guy to find a safe home in tomorrow. Along the way, the Croods (specifically Grug) may learn a thing or two about opening up to the world and having unique ideas outside the status quo.
It’s a simple enough story, livened up by some smart writing and humorous running gags, as well as some solid voice work. There is a bit of a downside in that the movie has more characters than it knows what to do with (you may wonder why the story even needed Eep’s siblings), and the story is a bit on the predictable side, with the messages – simple truths that they may be – feeling a tad ham-fisted.
But it’s all made more enjoyable by the film’s real highlight: The animation. The Croods showcases some of Dreamworks’ best visuals, with just about every scene being a display of color and detail. Best of all are the character designs for all the prehistoric beasts the Croods run across. The creatures in The Croods feel more inspired by prehistoric animals than based off them, which allowed Dreamworks to get creative with the character designs. Among these creatures are quadrupedal whales and swarms of piranha-birds. The strange creatures littered throughout The Croods help give the film some imaginative spark.
The animation and designs are where The Croods’ creativity shines. It’s just unfortunate that the story, while technically sound, is so much less creative. The characters and their relationships all fit neatly into the exact roles you expect them to, and it’s only in the last fifteen or so minutes that it gets any real emotional oomph.
It may not reinvent the wheel, but The Croods has a fun time with the tools it has at its disposal. If Dreamworks isn’t your cup of tea, The Croods isn’t about to change that. But for the initiated, it’s a fun, and ever so colorful ride.