In 2008’s Iron Man, its now-trailblazing after-credits sequence featured Nick Fury (Samuel L. Jackson), an agent of the organization S.H.I.E.L.D., confront Iron Man himself, Tony Stark (Robert Downey Jr.). Fury would utter the line “I’m here to talk to you about the Avengers initiative.” This was the first tease of the Marvel Cinematic Universe, a bold concept that sought to link different Marvel movie franchises together as part of one singular mega-franchise.
Having multiple narratives take place in a shared mythology was something that comic books (and to a lesser extent, video games) had been doing for decades. But such a concept seemed too monumental a task to undertake in the movie world. Comics and video games provided easier means for creators to spread out their own works. But movies would require different creators to work on different films (often simultaneously), giving each their own unique vision, while also weaving them into a coherent whole.
Iron Man was followed by The Incredible Hulk (2008), Iron Man 2 (2010), Thor (2011) and Captain America: The First Avenger (2011), each one featuring teases and hints of a greater franchise shared between them. The Marvel Cinematic Universe came to fruition with the release of The Avengers in 2012.
The Avengers brought together the stars of the five previous films: Iron Man, Captain America (Chris Evans), Thor (Chris Hemsworth) and Bruce Banner/Hulk (Mark Ruffalo, mercifully replacing Edward Norton from the 2008 film), in addition to two other heroes featured in the previous films, Natasha Romanoff/Black Widow (Scarlett Johansson) and Clint Barton/Hawkeye (Jeremy Renner).
The heroes are all brought together when Loki (Tom Hiddleston) – the villainous brother of Thor – is transported to Earth, and absconds with the Tesserect, an all-powerful energy source, which was being studied by S.H.I.E.L.D. Loki, under instruction from a mysterious cosmic despot, is equipped with a magic weapon that can control the minds of others (the film humorously can’t decide if this weapon is a spear, staff or scepter). Loki takes control of several S.H.I.E.L.D. agents (including Hawkeye) and one Dr. Selvig (Stellen Skarsgard), and makes off with the Tesserect, destroying the S.H.I.E.L.D. base in the process. A desperate Nick Fury decides now is a grave enough situation to finally act of the Avengers Initiative.
It’s a simple enough setup, but that’s part of why the film ends up working so well. It never overthinks what it needs to be, and wisely understands that the literal plot isn’t what needed all the time and attention in this particular instance. The important thing was how to bring all these characters together and how they interact with one another.
Naturally, there is conflict among our heroes, with their differing personalities butting heads with one another, particularly Captain America and Iron Man (the former being the ideal selfless hero, and the latter, while still ultimately good, is an arrogant showman). Thor, being from another world and still having sympathy for his vengeful brother, is often at odds with the earthly heroes. And there’s always the lingering tension that Bruce Banner can, at any minute, become the monstrous Hulk. It’s Nick Fury and Black Widow who have the coolest heads among them, while Hawkeye gets the short end of the stick as a mindless zombie under Loki’s control for most of the film.
There was something truly special about seeing all these heroes come together on the big screen back in 2012. And even though the MCU is omnipresent nowadays, there’s still a lot of charm exuding from this first Marvel hero get-together.
Another reason The Avengers works so well is that it functions as a proper sequel to all parties involved. The Avengers can be enjoyed on its own merits (another big plus), but it made the wise decision to utilize assets established in all five of its preceding films in order to tell its own story. The joining together of the different heroes is obvious, but re-using an established villain in Loki was a brilliant move. As the bitter younger brother of Thor, we already know his personality, his desires, and his goals. He’s an established threat powerful enough to justify the coming-together of all these heroes. And after his defeat at the hands of his brother in Thor’s titular film, Loki is more determined than ever, and wishes to enslave the Earth as a petty means to get back at his brother. Even the plot device Loki wishes to use, the Tesserect, was first introduced in Captain America: The First Avenger.
None of these aspects simply feel recycled, however, and instead The Avengers uses these established characters and elements to build its own narrative. Some of the characters, including (if not especially) Loki, even became more fleshed out with their appearances here. As stated, there’s not a whole lot to the storyline other than “good guys need to team up to stop the bad guy,” but that’s part of why The Avengers works as well as it does. The previous five installments of the MCU gave us the stories of these characters, and Avengers was to be their big, fanservice-heavy collective sequel. It’s not an origin story like its predecessors, but one big action movie that happens to star the heroes of five previous super hero films.
The action set pieces remain some of the best not only in the MCU, but of the entire movie decade. It’s final battle – which sees Loki summon an army of aliens called Chitauri into New York City – is an extensive battle sequence that ramps up the excitement as it goes on. It should rank as one of the best battle sequences in movie history, and was inarguably the best since The Lord of the Rings trilogy gave us the battles of Helms Deep and Minas Tirith.
But The Avengers is also a very funny movie, which adds to its entertainment value. This is a rare example of a movie which gives each of its distinct characters the opportunity to ease the tension with one-liners and witty quips. Naturally, the sarcastic Tony Stark dishes out the most zingers, but the humor is successfully spread throughout its cast, playing uniquely into each of their distinct personalities. It’s a genuinely funny movie.
The MCU would naturally mature over time, with appropriately more dramatic storytelling. But the first gathering of the Avengers was just all-out entertainment. And there’s something that remains delightful about that. It hints at the largest threat of the MCU (Loki’s mysterious benefactor seems important), but only does so in small doses, and wisely keeps its focus on the individual heroes needing to set aside their differences for a greater good. It’s a rare instance of a big blockbuster in the 2010s knowing exactly what it needs to be, and doing just that.
Yes, the MCU has grown up a lot in the seven years since The Avengers was released. And the heroes have now shown up so frequently in each other’s movies that seeing them all join together here may not seem as mind-blowing as it once did. But The Avengers is still perhaps the ideal go-to entry of the MCU for those simply looking for a consistently good time.