Suicide Squad was released in 2016 as the third entry in the “DC Extended Universe,” following Man of Steel and Batman V. Superman: Dawn of Justice. Though the film would break a number of box office records, and even become the first film in the “DCEU” to snag an Oscar (for Hair and Makeup), it was derided by critics. To this day, you’ll still see it at the bottom of rankings of the DCEU films (and close to the bottom of similar rankings of DC movies on the whole). Even its 2021 sequel “The Suicide Squad” seems to want to separate itself from the 2016 film as much as possible (notice they didn’t call it Suicide Squad 2).
Despite my initial curiosity, Suicide Squad’s reception made me lose interest (perhaps if it hadn’t been released mere months after Batman V. Superman, I could have mustered up the strength). So I actually just watched Suicide Squad for the first time for this review and in preparation to watch the second film/soft reboot/whatever. And I have to say, I didn’t think Suicide Squad was that bad.
Don’t get me wrong, Suicide Squad isn’t that good, either. But for my money, it’s more entertaining than Man of Steel, and certainly more coherent than Batman V. Superman or Justice League (and that includes the questionably praised “Snyder Cut”).
There are at least a few good things going for Suicide Squad, so already we’re better off than with the aforementioned movies. The first and foremost of these positives being the main cast: We have Will Smith as Floyd Lawton/Deadshot, a deadly assassin with perfect marksmanship; Margot Robbie as Harley Quinn (the former Harleen Quinzel), the Joker’s equally insane girlfriend; and Viola Davis as Amanda Waller, the corrupt government official who forms the titular Suicide Squad as her disposable task force.
We also have Captain Boomerang (Jai Courtney), an Australian villain who uses a boomerang surprisingly few times in the film; El Diablo (Jay Hernandez), a man who can create fire; and Killer Croc (Adewale Akinnuoye-Agbaje), a sewer-dwelling man who looks sort of like a crocodile and possesses superhuman strength. There’s also Colonel Rick Flag (Joel Kinnaman), who commands the Suicide Squad under Waller. Flag is joined by his bodyguard, Katana (Karen Fukuhara), the only real heroic member of the task force. Oh yeah, and David Harbour shows up as Waller’s right hand government goon (the years since the film’s release have proven David Harbour should really have had a bigger role in a movie like this).
Another, oddly-specific thing I liked about the movie is that, once the Suicide Squad gets sent on their mission, that’s it. That’s the movie. Most super hero movies have a certain structure, and had Suicide Squad followed that structure, we’d probably see the group dispatched on a mission, which would result in either A) failure, so the team would have to redeem themselves with the bigger mission later on, or B) success, proving themselves worthy of the bigger mission later on. So I kind of like how we just have the setup of being introduced to the characters and Waller’s idea of “Task Force X,” and then once things go bad, the task force is sent in, and the rest of the movie is that mission. Maybe I’m grasping at straws here (I am), but I found that I liked that overall structure.
One thing I liked considerably less, however, was the film’s villain scenario. The film’s big bad is The Enchantress, an ancient witch possessing the body of Dr. June Moone (both portrayed by Cara Delevinge). It’s kind of a Jekyll and Hyde scenario, before the Enchantress inevitably takes full control. The Enchantress was to be a key member in Waller’s Task Force X, with Waller keeping the witch’s heart in a briefcase as leverage (effectively making the Enchantress Davy Jones from Pirates of the Caribbean). But Enchantress breaks free of her control by (and stay with me here) releasing her brother’s spirit from a jar, with her brother then possessing a man, releasing a tentacle from said man’s body to ensnare a few other men, who are then merged with subway tracks (?!) to transform into a hulking CG monstrosity, who can share his power with the Enchantress to keep her alive until she recovers her heart. You get all that?
As you might expect, it’s Enchantress breaking free from Waller’s control and performing some vague, world-threatening spell that serves as the catalyst for Waller to pull the trigger and send in her new task force. So the Suicide Squad, accompanied by Rick Flag and his men, are to put a stop to the Enchantress. Meanwhile, the Joker (Jared Leto) plots to “rescue” Harley from Waller’s forces.
The problem with Enchantress as the villain is, despite Delevinge’s attempts to make the Enchantress a complex villain with their duel personalities, the character just kind of comes across as silly. Between the weird CG added to and around the character, the dancing she’s constantly doing as she performs a seemingly unending spell, and the fact that Delevinge’s voice seems to be dubbed over herself, I found myself giggling whenever the Enchantress was on screen. And I’m sure that’s not the reaction they were going for with the character.
Of course, we have to talk about the elephant in the room: Jared Leto’s take on the Joker. Heath Ledger’s performance of Batman’s nemesis in The Dark Knight gave us one of the all-time great movie villains. Before that, Jack Nicholson’s interpretation of the Clown Prince of Crime was the highlight in the otherwise aged 1989 Tim Burton film. So the character had a lot of acclaimed history to live up to. If Jared Leto’s Joker couldn’t quite do that, it’s no unforgiveable sin. The problem is, even on its own merits, Suicide Squad’s Joker is a disappointment. He comes across as silly when he’s trying to be serious, and boring when he’s trying to be crazy. This Joker lacks a sense of presence and terror, and is instead a character we’re supposed to be afraid of simply because of his legacy through past interpretations. It should be unsurprising that this Joker has yet to show up again in subsequent movies (save for a cameo in the aforementioned “Snyder Cut”).
Perhaps things could have been different, had Jared Leto’s Joker been the main villain of the film (or maybe it would have only expanded on this version’s problems). Suicide Squad’s director, David Ayer – in a respectable admittance to the film’s faults – has said if he could do the movie over again, he would have made Joker the main villain. That probably would have benefitted things greatly, not just because it’s weird to introduce the Joker (of all characters) into the DCEU as a bit player, but also because Enchantress feels like she belongs in a different movie. I think DC is at its best with its more grounded characters (we all love Batman), and I’ve never thought those elements meshed with the more extravagant characters (like Superman). They just never feel like a cohesive whole in the way the Marvel characters do. And Suicide Squad’s villain scenario is a blatant example of this. Cut out the Enchantress and promote the Joker, and maybe they would have had something.
Another disappointing aspect to Suicide Squad are the action scenes. There’s really just nothing to them. You have a few gunfights with Enchantress’ soldiers (who remind me of the Putty Patrol from Mighty Morphin’ Power Rangers), and a few other such scuffles with more of the same creatures before the big, flashy CG finale against Enchantress and her tentacle/subway track brother. These action scenes would be pretty uneventful as they are, but the film’s insistence on gloomy, dim lighting makes them even more difficult to enjoy. The final showdown has the opposite problem, with the overbearing CG proving too bright and distracting.
I will give the film credit in that it attempts to find a few moments amidst the chaos to shed light on each of its anti-heroes. It may not master its balancing act (Deadshot and Harley Quinn easily get the most screen time, but that’s okay), and the movie awkwardly waits until later on in its runtime before it gives certain characters their moment (better late than never, I guess). But the attempt is appreciated, especially when you consider how Man of Steel and Batman V. Superman had such poor characterization that you could rarely find logical justification or reasoning for their characters’ actions.
So at the expense of being hated by comic book movie fans everywhere: No, I don’t think 2016’s Suicide Squad is the worst DC movie ever made. It ultimately stumbles, and I can’t recommend it. But I do think it was an improvement over the two DCEU films that came before it, and better than some of the ones that came after (like Justice League). The DCEU would eventually receive a few good movies (Wonder Woman, or my personal favorite so far, Shazam!). Suicide Squad may not be among those good movies, but maybe it helped us get there.