When the first Thor film was released in 2011, I don’t think many people would have guessed that it would be the first series within the Marvel Cinematic Universe (outside of the Avengers movies) to reach a fourth entry. The 2011 film was decently fun, but was hardly as beloved as Iron Man. Meanwhile, the 2013 sequel Thor: The Dark World is widely considered one of the weakest MCU movies. But in 2017 the series headed in a new direction with its third installment, Thor: Ragnarok, with the Taika Waititi-directed film reinvigorating the series with a greater emphasis on humor and spectacle. With a newfound popularity for Thor, Marvel brought Waititi back for this fourth installment, Thor: Love and Thunder.
The good news is that if you loved Ragnarok, Love and Thunder provides a similarly good time, even if it may not be the breath of fresh air that Ragnarok was when it was released.
After the events of Avengers: Endgame, Thor (Chris Hemsworth) has been travelling the cosmos with the Guardians of the Galaxy, helping them save various civilizations from evil threats (with Thor causing a bit of collateral damage along the way). However, a distress signal from an old friend has Thor travelling back to New Asgard, located on Earth after the events of Ragnarok.
A being known as Gorr (Christian Bale) has come into possession of an ancient weapon called the Necrosword, which grants him the ability to slay gods (at the expense of infecting Gorr mind, body and soul). Now known as Gorr the God Butcher, he has been slaying god after god across the universe, with the Asgardians being his next targets.
After Thor and company dispatch of Gorr’s monsters, they realize that the God Butcher has kidnapped the children of New Asgard. So Thor, alongside the new king of Asgard, Valkrie (Tessa Thompson) and his rock friend Korg (Taiki Waititi himself), sets off to find Gorr and rescue the children. But Thor has a new superpowered ally in his old girlfriend Jane Foster (Natalie Portman), who was last seen in The Dark World. Unbeknownst to Thor, Jane is dying of cancer, and with her treatments failing to improve her condition, she desperately turned to the Asgardian magic found in New Asgard for help. As fate would have it, Thor inadvertently placed a spell on his old hammer Mjolnir back when he and Jane were dating, a spell that dictates the hammer would always protect Jane. So in the present, the hammer’s shattered pieces reform, and deem Jane Foster worthy to wield the mighty Mjolnir, thus giving her the power of Thor. Though she gains the strength and ability equal to that of the god of thunder, the effects are only present when she wields the hammer. Without it, Jane’s health continues to decline.
That’s some pretty heavy stuff coming from the sequel to Thor: Ragnarok, and I’ve heard some people fault Love and Thunder for a perceived inconsistent tone. But I actually appreciate that Love and Thunder attempts to tackle some heavier material, instead of simply betting everything on the comedy that made Ragnarok work and have it overstay its welcome. The more serious elements are what set this film apart from its predecessor. It was admittedly a risky move to use something like cancer as a plot element in a Marvel movie, but the film ultimately handles the subject delicately.
Speaking of the film’s serious elements, Gorr the God Butcher provides Thor: Love and Thunder with one of the MCU’s most complex villains. After wandering the broken remains of his world with his daughter, praying to his god for help and safety, his daughter succumbs to the elements, and he’s left wandering alone. Feeling his prayers fell on deaf ears, Gorr is summoned by the Necrosword to meet his god, who callously ignores Gorr’s plight. Gorr then uses the sword to kill his god, but with the Necrosword’s influence, it begins to warp his mind and ambitions, as he now seeks to kill all gods.
In a way, Gorr kind of reminds me of Doctor Octopus from Spider-Man 2 in how the combination of personal tragedy and an object infecting his mind leads him down a path of villainy. Although I don’t think any on-screen Marvel villain has equaled Doc Ock, Gorr the God Butcher is probably in the top three villains of the MCU. He’s even a visually cool villain with the way he travels in and out of shadows, lurking towards the screen like some kind of Dark Souls boss. The MCU has often been criticized for a lack of compelling villains, but between Gorr the God Butcher and Wenwu from last year’s Shang-Chi and the Legend of the Ten Rings, it seems Marvel’s villain scenario is seeing some major improvements.
Before I start making Thor: Love and Thunder sound like it’s all serious subjects and dark and dreary villains, I do have to reiterate that the film retains the sense of humor and fun that audiences loved about Thor: Ragnarok. Granted, there are those who didn’t appreciate Ragnarok’s sense of humor and felt that it turned Thor into Guardians of the Galaxy. But I think the more serious aspects mixed into Love and Thunder may win over some of Ragnarok’s critics, while still providing plenty for returning fans of Ragnarok (special mention has to go to Russel Crowe as the Greek god Zeus, who might just steal the whole show). It’s one of the most fun MCU movies in quite some time.
Something else I can very much appreciate with Thor: Love and Thunder is that it (again, like Shang-Chi) is one of the increasingly rare MCU films that stands as its own movie, unburdened by excessive crossovers of other Marvel characters or having the overarching MCU story shoehorned into the proceedings. Even the mid and after-credits sequences still relate to Thor’s story, rather than tease someone else’s. Considering the recent Dr. Strange in the Multiverse of Madness sacrificed the setup the first Dr. Strange left open for the sequel in favor of catering to the bigger MCU plot, Love and Thunder’s insistence on just being a Thor movie is all the more commendable.
I do have to admit that even with all my praises, Thor: Love and Thunder doesn’t exactly bring new creative heights to the MCU. The more serious plot elements and its standout villain set Love and Thunder apart from its predecessor, but it still does follow much of the same MCU formula. It’s certainly a more solid MCU entry than we’ve been seeing as of late, but I don’t think it necessarily breathes new life into the mega-franchise either (something which you could argue Ragnarok did). But I think most audiences will be having too much fun to care about that (though they may be bummed that the Guardians of the Galaxy have a minimal role, despite the film’s marketing).
Thor: Love and Thunder is an undeniable good time that should leave any Marvel fan with a smile on their face. And for once, it may just tug at their heart a little bit too.