More so than most other licensed properties, the Teenage Mutant Ninja Turtles have gone hand-in-hand with video games. The Ninja Turtles rose to prominence throughout the 80s and early 90s, the same time video games were reaching new heights. Not to mention the colorful characters, fun personality and emphasis on action of the Ninja Turtles made them a perfect fit for the video game medium.
The Teenage Mutant Ninja Turtles starred in many games during their initial boom period, most notably the beat-em-ups made by Konami, such as Turtles in Time. Over the years, however, Ninja Turtles games have become less frequent, and the beat-em-up genre has largely become a thing of the past.
That’s why Teenage Mutant Ninja Turtles: Shredder’s Revenge is such a breath of fresh air in the current gaming landscape. Developed by Tribute Games and published by Dotemu, Shredder’s Revenge is a beautiful revitalization of the beat-em-up genre, and a return to form for Ninja Turtles games.
Shredder’s Revenge is classic beat-em-up action at its best. You could argue that the genre isn’t exactly deep (simply fight waves of enemies on each screen, make your way to the end of the stage, beat the boss, and repeat), but there’s always been something very satisfying and entertaining about the simplicity of the beat-em-up, especially when played with others. That is especially true here.
Up to six players can take on Shredder’s Revenge, with players able to choose between one of the four titular turtles (Leonardo, Raphael, Donatello and Michelangelo), their rat sensei Master Splinter, news reporter April O’Neil, and unlockable character Casey Jones. Each character plays identically, but with different levels of speed, strength and reach between them. By keeping combos going long enough (or taunting), players can fill up a meter that, when full, allows them to perform a special attack. Perhaps best of all, the game allows players to drop in and out of multiplayer at any given time, even when playing online. It really is a game that would feel at home in an arcade.
That’s not to say that Shredder’s Revenge is stuck in the past, as the game makes some notable attempts to bring some modernization to its genre. The stages will spawn more enemies depending on how many players are present, something beat-em-ups simply couldn’t do back in the day. And most notably, Shredder’s Revenge not only features a traditional arcade mode (in which players go through the game’s sixteen stages uninterrupted with limited continues and no saving), but also includes a story mode that features a world map, sidequests, and a levelling up system.
The world map is a great addition in that it allows players to replay stages in the story mode whenever they want. The levelling up system is also a welcome inclusion, with players levelling up each character (up to level 10) based on the number of enemies they defeat. As the characters level up, they gain new special moves or get more health, extra lives and additional special meters (up to three), with the third allowing players to go into ‘Radical Mode,’ which temporarily boosts the character’s strength considerably. On the downside, the sidequests feel a bit half-baked, and simply consist of finding character cameos on certain stages, and then finding objects pertaining to those characters on others. Not only are the characters and objects barely hidden, but the rewards for finishing the sidequests are just points to help level up whatever character you’re currently using a little quicker. While I appreciate the idea of trying to implement sidequests in a beat-em-up, it is unfortunate that Shredder’s Revenge’s optional objectives feel so shallow.
It should also be noted that the game can get repetitious pretty quickly. There’s an argument to be made that such repetition is par for the course for the genre, but with the attempts Shredder’s Revenge makes with trying to modernize the beat-em-up, it feels like a missed opportunity to not include a little more variety in the stages. There are a few courses where the players ride on hoverboards that are automatically scrolling, but they aren’t very different from the standard stages otherwise. Even just a couple of shoot-em-up stages or mini-games would have added some variety without detracting from the simple pleasures the game provides.
Repetitious though it may be, that will hardly matter when you’re playing with friends. Though playing online with players around the world means there’s a better alternative to playing alone (in which the fun can only go so far), playing Shredder’s Revenge with friends brings out the absolute best in the game. Things may get so chaotic with all the enemies and special moves happening on-screen that you may even temporarily lose track of your character. But it’s the best kind of chaotic fun.
Perhaps Shredder’s Revenge’s biggest triumph is how well it captures the spirit of the Teenage Mutant Ninja Turtles. More specifically, the original cartoon that debuted in 1987. Every character, enemy and boss appeared in the ’87 series at one point or another (including some deep cuts), and through the game’s colorful graphics and vibrant animations, it brings out the personalities of each character. From Michelangelo’s taunt of a goofy dance while shouting “party dude!” to Raphael’s more intense animations, Teenage Mutant Ninja Turtles: Shredder’s Revenge is just oozing with charm.
Complimenting the game’s visuals is a terrific soundtrack that similarly captures the spirit of the Ninja Turtles, without simply aping all the same tunes from the show. The soundtrack was composed by Tee Lopes – who also did the excellent soundtrack to Sonic Mania – and also includes some vocal tracks from artists like the Wu-Tang Clan! It’s one of the catchiest, coolest and best video game soundtracks this year.
Teenage Mutant Ninja Turtles: Shredder’s Revenge works as both a revival of beat-em-ups and of Ninja Turtles video games. Some of its potential with modernizing the genre feels missed, and there’s only so much the game has to offer when going solo. But when playing multiplayer, especially with friends, Shredder’s Revenge provides an exceptionally fun throwback to the golden age of a genre and the Teenage Mutant Ninja Turtles. Cowabunga!
Well, this makes me feel old. Today, May 23rd 2022, marks the twelfth anniversary of the release of Super Mario Galaxy 2 in North America! May is apparently a fantastic month for Mario, seeing as we already had the anniversary of Super Mario RPG earlier this month. That’s two all-time greats in the same month!
Yes, somehow, it’s been a full twelve years since Super Mario Galaxy 2 was released on the Wii. The first Super Mario Galaxy (released on Wii in 2007) was already one of the most acclaimed video games of all time, and it may seem odd to remember that when Galaxy 2 was announced, the hype was somewhat restrained, with many claiming it looked like more of the same, and that it couldn’t live up to its predecessor.
Boy, were those people wrong! Despite the lofty standard set by the first Super Mario Galaxy, Galaxy 2 managed to meet and even exceed expectations, becoming every bit as acclaimed and heralded as its predecessor. And to call it more of the same couldn’t be further from the truth. Similar to how Majora’s Mask would create an identity of its own while using many of Ocarina of Time’s assets, Galaxy 2 is structurally and philosophically its own beast, despite using its predecessor as a backdrop.
It’s also important to note Galaxy 2’s impact because when it was released in 2010, the video game world was all in with the weird “games aren’t art unless they emulate movies” mentality. Unless something was a Mass Effect or a Red Dead Redemption or some “atmospheric” indie darling, it couldn’t be art. I can recall at least one major gaming website once IGNorantly claimed that Limbo was a better platformer than Galaxy 2 because Limbo “had atmosphere.” But who the hell talks about Limbo anymore? Then again, people thought Ken Levine was like gaming’s greatest auteur back then. It was a confused time.
Thankfully, Super Mario Galaxy 2 prevailed in showing that pure, unadulterated game design in itself can be art. Galaxy 2 is a game as perfectly structured as any, comprised of one imaginative idea after another, each one creative enough to be a game in their own right. It’s a game of no wasted energy.
Yes, even though Galaxy 2 went against what was seen as “highbrow gaming” at the time, it has stood tall these twelve years later, and outlasted the games that were “supposed” to be the new artistic standard.
In the years since, the Souls series and Breath of the Wild have reached a similar level of acclaim to the Super Mario Galaxy duo. But with all due respect (particularly to Elden Ring) it’s fitting that Super Mario Odyssey is perhaps the only game since to match the non-stop inventiveness and pitch-perfect execution of Galaxy 2. It’s been a hell of an act to follow.
The first Super Mario Galaxy was pretty much perfect, but Galaxy 2 somehow became something more. Twelve years later, it’s still – quite easily – one of the best video games of all time.
Happy twelfth anniversary, Super Mario Galaxy 2!
Now, why wasn’t Galaxy 2 included in Super Mario 3D All-Stars again?
Today, May 13th, 2022, marks the twenty-sixth anniversary of the release of Super Mario RPG: Legend of the Seven Stars on the Super Nintendo in North America (it was released in Japan two months prior). I know, you’re probably thinking “twenty-six is a random anniversary to point out for something like this.” And you may have a point. But last year I (of all people) failed to write about Super Mario RPG’s twenty-fifth anniversary! I wrote a bunch of anniversary posts for other things in 2021, yet failed to acknowledge the anniversary of what is most likely my favorite video game of all time. So consider this my recompence.
Come to think of it, I failed to mention Paper Mario’s twentieth anniversary in 2021 as well (and its twenty-first a few months back)… I’ve become everything I’ve ever hated.
Super Mario RPG: Legend of the Seven Stars was released on the Super NES twenty-six years ago, and instantly became one of the most beloved Mario games and RPGs of all time. Although its release being so late in the SNES’s lifecycle – as well as the release of the Nintendo 64 and Super Mario 64 a few months later – may have affected its sales somewhat at the time, Super Mario RPG would still prove to be a success. And true to its name, it became something of a legend in the video game world, with word of mouth helping its reputation grow over the years.
Sadly, Super Mario RPG seems to be the one Mario game that won’t get a sequel. Although it would inspire the Paper Mario and Mario & Luigi sub-series (and influence many other RPGs outside of the Mario series), Super Mario RPG itself has only continued on through a few cameos and a couple of snippets of music in subsequent Mario games. Despite fans’ persistent yearning to see the characters and elements of Super Mario RPG make a return, their pleas continue to fall on deaf ears.
There is a glimmer of hope, as Chihiro Fujioka, the director of Super Mario RPG, has recently expressed his desire to create a sequel to the SNES classic as his last game before retirement. Fingers crossed that Chihiro Fujioka gets his way.
Even without a sequel, Super Mario RPG: Legend of the Seven Stars has left an indelible mark in Nintendo history and earned its legendary status. It’s the game that gave the Mushroom Kingdom a story, introduced the world to Mallow and Geno, made Bowser the most likable character ever, and made turn-based battles way more fun! A legend? Oh, you better believe it!
Happy Twenty-sixth anniversary, Super Mario RPG!
Now if you’ll excuse me, I have to go listen to that godly soundtrack again!
Today marks the thirtieth anniversary of the release of Kirby’s Dream Land on the Game Boy and, by extension, the thirtieth anniversary of Kirby himself!
Released in Japan on April 27th 1992, Kirby’s Dream Land introduced the world to Kirby, the pink puffball who would go on to become the mascot of developer HAL Laboratory, as well as one of Nintendo’s (and gaming’s) most enduring characters. Not to mention the cutest (sorry, Pikachu and Yoshi)!
With Sonic the Hedgehog being released the year prior, video game characters (particularly platforming mascots) were becoming “cooler” and “edgier” (or trying, at any rate. None of Sonic’s imitators ever actually matched him). So in retrospect, Kirby seems like a beautifully defiant act on Nintendo and HAL’s part. Doubling down on the cuteness of their character while everyone else was aiming for “attitude.”
Hilariously, it seemed because of that, Nintendo’s marketing didn’t know how to advertise Kirby to western audiences at the time, with Kirby’s Dream Land 2’s US commercial depicting Kirby and his Animal Friends as a bunch of mean looking tough guys who beat up a bunch of bikers during poetry night! Don’t believe me?
Or what about this other advertisement for the same game, which literally says not to call Kirby and his friends cute!
It’s like, what is the taboo here? Kirby IS cute! Embrace that and roll with it!
Thankfully, they did that eventually. But it certainly took a while for the marketing to have the profound revelation that people like cute things!
Anyway, Kirby managed to power through such questionable marketing due to the quality of his games. With Kirby’s Adventure (1993), Kirby gained his signature copy abilities, which would become the series’ staple mechanic thereafter. Kirby would go on to star in dozens of games over the decades, both his traditional platforming romps and in more experimental spinoffs, making Kirby second only to Mario as gaming’s most versatile character. The most recent Kirby release, Kirby and the Forgotten Land, is the first 3D platformer in the series, and has quickly been praised as one of Kirby’s best. So the little guy certainly isn’t slowing down.
Kirby even had his own animated series in the early 2000s which lasted 100 episodes, and “Kirby Cafes” which serve Kirby themed foods have become an actual thing in Japan. So even though Kirby may not be as recognizable as Mario, Sonic or Pikachu, he’s had a similar impact.
Thirty years ago, the world was introduced to the cutest of video game heroes. Today, Kirby is still going strong as one of gaming’s best, most consistent (and strangely underrated) series.
The Legend of Zelda: Breath of the Wild was and is a brilliant game. I certainly won’t deny that. But I have to admit, in the five years since its release alongside the Nintendo Switch, I think some of Breath of the Wild’s shortcomings have been magnified with age.
I know, I know. How dare I question Zelda?! But it’s like I said, I think Breath of the Wild is a great game, just not the flawless “best game of all time” that so many people decided it was before it was even released (apparently, we’ve forgotten Super Mario World exists). It’s a wonderful game, but it has plenty of room for improvement.
This point hit home for me the more I dove into Elden Ring. Like Breath of the Wild, Elden Ring took an acclaimed video game series (in this case, From Software’s “Soulsborne” formula) and takes it into an open-world setting. Although there’s plenty of differences between the two games, they do have more than a few things in common, and I think Breath of the Wild’s upcoming sequel could learn a thing or two from Elden Ring.
A lot of people were bummed that Breath of the Wild’s yet-unnamed sequel was delayed (though we shouldn’t be surprised, as such delays are commonplace for Nintendo, and Zelda specifically). But I think Nintendo would be wise to use this delay to take a few notes from Elden Ring, in order to make “Breath of the Wild 2” an even better game than its predecessor.
In particular, there are three aspects of Breath of the Wild that I feel could really be improved on, and that Elden Ring addressed. So instead of taking a full-on deep dive to compare every aspect of Breath of the Wild and Elden Ring, let’s just focus on these three issues that Breath of the Wild 2 should really adapt from Elden Ring.
1: Better Dungeons & Optional Dungeons
I guess we technically have more than three things, because we’re starting things off with a twofer. Simply put, Breath of the Wild needed better dungeons, and it needed some outside of the main plot.
Okay, I know some people would point out that technically all the dungeons in Breath of the Wild were optional except for Hyrule Castle, since you can go straight from the tutorial to the endgame if you want. But if you wanted the full story, you had to beat the other four dungeons (the “Divine Beasts”) before heading for Hyrule Castle.
It’s those four story dungeons that could really use some improvement. All four dungeons were basically built around the same puzzle, they all looked aesthetically identical, and their bosses were all incredibly similar in both appearance and in the battles themselves (I don’t care if they were all different forms of Ganon! Ganon can pull some new tricks out of his hat!).
Compared to the dungeons of previous Zelda games, Breath of the Wild’s story dungeons fell short. Even Skyward Sword – which is otherwise the weakest 3D Zelda game – had some incredible dungeons. When I played Skyward Sword HD last year, I realized how much I missed those traditional Zelda dungeons in Breath of the Wild. It almost felt like Nintendo was so proud of the open-world they created with Breath of the Wild, that they didn’t want the dungeons to outshine it, and were a little skittish when designing them.
Elden Ring has no such issue. Despite the shift to an open-world, Elden Ring makes no sacrifices when it comes to its story dungeons, which are as intricately designed as Dark Souls and Bloodborne’s best. Each story dungeon is distinct from the others, houses their own secrets and unique quirks, and ends in an epic boss encounter. Zelda should definitely take note. Just because the open-world is bigger than anything the series has seen before doesn’t mean those classic dungeons can’t be a part of it.
On top of that, Elden Ring has dozens of optional dungeons that have no bearing on the main quest. While the optional dungeons are certainly smaller and have more in common with each other than the main dungeons, it’s still great to have them. So many times I’ve been exploring in Elden Ring, only to discover a cave or doorway to a whole new dungeon to conquer. It would be so cool if Zelda had that too.
Yes, I know, Breath of the Wild did have the shrines, and I have no complaints with them. But the shrines were pretty different from dungeons, being singular puzzles more akin to a test chamber from Portal (again, a great thing). It would be great if Breath of the Wild 2 could have some dungeons outside of those in the main plot in addition to the shrines. It doesn’t even need as many of them as Elden Ring or anything. Just have some optional dungeons complete with Zelda’s classic puzzles and bosses, and I’m good.
Just imagine how cool it would be for Link to just stumble onto a full-blown dungeon not relating to the main plot. Maybe these bonus dungeons have their own story? Maybe completing them could unlock some secret weapons and items?
And speaking of weapons…
2: Permanent Weapons
As great as Breath of the Wild was, it was a pain in the ass how often your weapons broke. You’d find some legendary weapon one minute, only for it to break after fighting a small group of Bokoblins the next. Yeah, after you got a particular weapon you could then remake it with the right materials, but the fact that you can just remake some legendary weapon you discovered kind of takes away from the weapon itself. Point being, I shouldn’t have to remake it!
It baffles me that some people defend this mechanic to the death: “It makes it more immersive!” “It’s more realistic if the weapons break!” “It encourages you to make more of those weapons!” I’ve heard it all.
I’m going to say something that’s going to annoy a lot of people, but if “immersion” gets in the way of gameplay, it’s a problem. That’s why I get annoyed in Red Dead Redemption 2 (also a great game) when Arthur Morgan has to take the time to personally inspect a fallen foe for loot or skin an animal when acquiring materials (something else Elden Ring improved. You want a material? Press the button and you get it!). It may be more realistic to see Arthur Morgan collecting the materials himself, but after a while, you just want to get on with things.
Anyway, back to Zelda…
The whole weapon breaking thing makes sense with the early game stuff. If you have some rinky-dink sword or you decide to start fighting with a stick you found on the ground, I get it. It isn’t durable. My issue is that none of the weapons in Breath of the Wild were durable. They all broke so quickly you could barely enjoy them after all you went through to get them. I felt like I spent more time obsessively repairing and replacing things I already had than I did exploring new things in Hyrule.
Elden Ring avoids this issue in the simplest of ways: you find a weapon, you have that weapon; unless you sell or discard it, you keep that weapon. Beautiful.
A lot of video games do the whole “breakable weapons” thing these days. Even past Soulsborne games did it. But you know what? It’s more of an annoyance that creates tedium than it is a fun dose of reality in your games. It’s a modern gaming trend that really needs to go away. Thankfully, Elden Ring agreed. Hopefully, Breath of the Wild 2 will as well.
3: Worthwhile Steeds
While I said most of my complaints with Breath of the Wild became more apparent in hindsight, this is one complaint I’ve had with Breath of the Wild since day one: taming horses was pointless!
Yes, it sounded cool that Link could now find wild horses, train them, and eventually turn them into a noble steed. But in the end, it felt like a waste of time for one simple reason: Link was a far more versatile traveler on foot than any of the horses in the game!
Oh sure, the horses were technically faster than Link while running. But they would also stop dead in their tracks and throw Link from his saddle if so much as a pebble stood in their path. This made traversing the often rocky and bumpy terrain of Hyrule a start-and-stop affair when riding a horse. Meanwhile, Link could just climb a mountain with his bare hands, and then glide from its peak to cover far more distance in a much shorter time. So why’d I take the time to train that horse?
Although the player character in Elden Ring is a more versatile traveler than they were in previous Soulsborne games (good lord, they finally added a proper jump!), when you mount your trusted “spirit steed” Torrent, you can traverse the world all the better. Not only is Torrent noticeably faster than the player is on foot, but it also gets a double jump! In other words, riding your horse (or horse equivalent) in Elden Ring feels like an improvement in regard to travel. And you don’t even have to tame him!
I’m fine with the idea of Link taming horses in Breath of the Wild 2, but they really need to make it worth the effort. Give the horses strengths and abilities that Link can’t already better on foot.
Admittedly, I’m a bit skeptical that Breath of the Wild 2 will address this particular issue, seeing as we already know the sequel will allow Link to traverse the skies of Hyrule. If he can already go to the sky, I don’t see horse situation improving. Hopefully I’m wrong.
Maybe just give me Epona from the get-go and make her ‘Super Horse’ or something.
I suppose I’ll leave it there, for now. I know it sounds like I’m ragging on one of the most beloved Zelda games of all time. But hey, people ragged on Wind Waker years before it was even released! And in retrospect that’s still probably the best 3D Zelda all-around.
This doesn’t take anything away from my love of Breath of the Wild. I’m merely sharing my criticisms of it that I hope the sequel will address. Seeing as Elden Ring has already improved on those areas, I see no reason why Breath of the Wild 2 can’t do the same. I guess only time will tell.
When Super Mario Kart was released in 1992, it was more than simply a spinoff of Nintendo’s most prolific series, and ended up being one of the most influential games of all time in itself. Not only did it usher in a new style of multiplayer/party games, but it singlehandedly created its own sub-genre, the “kart racer.” It seems like every cartoony/mascot character under the sun has had a go at trying to replicate Mario Kart, though very few of Mario Kart’s imitators could really stack up to the real thing, with Diddy Kong Racing and Crash Team Racing probably being the two examples that have carved a legacy of their own in the genre. That’s not to say that all of the imitators have missed the mark, however. The Sonic and All-Stars Racing duo were solid additions, and I personally have some very fond memories of more esoteric entries like Bomberman Fantasy Race and Chocobo Racing on the Playstation.
Chocobo Racing was, of course, an offshoot of Final Fantasy, placing various characters from that franchise in a more cartoony setting apropos to the kart racer genre. Being released in 1999 – a time when Final Fantasy found a new popularity on the Playstation – you would think that Chocobo Racing would have made a little more of a splash than it did. But, like many Mario Kart clones, it came and went. A 3DS sequel was originally planned more than a decade later, but joined Mega Man Legends 3 as one of those notorious early 3DS cancellations. That was that, it seemed. Never did I imagine Square would ever actually follow through with a sequel to Chocobo Racing.
It was a pleasant surprise then, when Square announced that they were, in fact, finally making a sequel to Chocobo Racing during a Nintendo Direct in 2021. Chocobo GP is that sequel, released exclusively on the Nintendo Switch twenty-three years after the original. Though the final game is a bit of a bittersweet pill to swallow. On one hand Chocobo GP is a fun, nostalgic kart racer (and it’s just nice to see Square remember something other than Final Fantasy VII or Kingdom Hearts for once). But on the other hand, Chocobo GP was plagued by a number of bugs at launch, and features a series of other shortcomings that prevent it from being the game it could have been, not least of which being its love affair with microtransactions.
I feel like the gameplay of the kart racer needs very little explaining at this point, but to summarize: Chocobo GP sees players select a number of characters either from or inspired by the Final Fantasy series (and the spinoff ‘Chocobo’ series). Players compete in races and can collect power-ups to help themselves or hinder other racers in order to get first place. Again, this is a genre that has played closely to the rules Mario Kart established for it, but Chocobo Racing did add a little Final Fantasy twist to the proceeding in that the power-ups – referred to as “Magicite” in Chocobo GP – can be stacked up to create more powerful versions of itself (admittedly, Diddy Kong Racing beat it to that punch). Additionally, each character also has their own special move, which can be activated after filling a meter by performing speed-boosting drifts.
The core gameplay is enjoyable, and the game controls well. There is a big complaint to be made, however, with how debilitating getting hit by even a single item is. In Mario Kart, you expect to get hit by an item or two during a race, but you can recover from it pretty quickly. In Chocobo GP, getting hit once stops your character dead in their tracks, and it takes a good few seconds before the player can even move again. Similarly, don’t expect the speedy recovery provided by Lakitu in Mario Kart if you fall off a track in Chocobo GP. Here, if you fall off stage, the guy who saves the player slowly picks them up (backwards), takes time to turn them around, and then places them back on stage. These may sound like small complaints, but with the very nature of the genre, it becomes pretty aggravating when basic elements like these take so much time. It’s less chaotic fun and more frustrating.
As for the characters themselves, they have their ups and downs. In Chocobo Racing, most the characters were the basic Final Fantasy archetypes (Chocobo, Moogle, White Mage, etc.), with only a few specific characters from the franchise’s history. That’s also true here, only now even the archetypal characters have names (except for Chocobo himself).
Along with the titular bird, there’s also a girl Chocobo named Camilla, her father (aptly named ‘Camilla’s Pa’), and a Fat Chocobo named Clair. There are also two Moogle characters, one named Atla, and a helmet wearing Moogle named Racing Hero X. I guess with characters like these, Chocobo GP is leaning more into the Chocobo series, as opposed to simply using the general Final Fantasy creatures and enemies. That’s okay, though I don’t really see the point in having so many similar characters.
There are plenty of others, however, like a Behemoth named Ben, and a White Mage named Shirma. For more specific Final Fantasy characters, there’s Terra, the heroine from Final Fantasy VI, in her Esper form. And we also have Vivi and Steiner from Final Fantasy IX. Those are all welcome additions that, again, differ from what Square’s selective memory can usually be bothered to remember. But, if you just have to have Cloud and Squall in your game, they’re unlockable “seasonal” characters, who can alternatively be purchased individually.
The character selection is a bit of a mixed bag, but then again, Mario Kart 8 gave us Pink Gold Peach, so at least Chocobo GP is willing to search its franchise’s history for characters, instead of repainting a series mainstay and calling it a new addition.
Less forgivable is the fact that Chocobo GP only features eight racetracks. For the record, that’s less tracks than Chocobo Racing, which had ten. Granted, Chocobo GP features alternate versions to certain courses, but they basically just rearrange a couple of the obstacles. The tracks here aren’t particularly memorable, either, which makes their short supply all the more crippling. Some may argue that Square can add more courses with updates, but the fact of the matter is the base game needed more tracks. I would have been fine if the developers spent less time on all the unlockable trinkets, and a little more time creating extra courses.
Chocobo GP features a small variety of modes, the best of which being an online tournament up to 64 players. There are also versus modes, time attacks and custom races. There’s even a story mode, though that too is a mixed bag.
The story mode is essentially just races interspersed with cinematics. There’s no hub world to traverse or anything. The cinematics themselves are little more than basic animations of the characters being plastered in front a static background, complete with text boxes and questionable voice acting. While these cinematics do have some humorous moments (particularly when it comes to the characters pointing out Camilla’s Pa’s ridiculous name), they ultimately drag on way too long. The story mode itself seems strangely padded out, despite its simple setup of “pick a race and watch a cinematic.” The story mode should ultimately be looked at as a means of unlocking most of the characters, and little more.
On the plus side of things, the game’s bright, cartoony visuals look great, and they’re matched by a fun, bouncy soundtrack (I enjoy Chocobo GP’s vocal theme song, even if the lyrics are little more than saying the characters’ names).
Unfortunately, Chocobo GP ran into some bigger issues at launch, including some egregious bugs. During separate play sessions, I encountered tournaments that wouldn’t load subsequent rounds and often got hit by items that didn’t appear on-screen. Most ridiculously, I rightfully came in third place during one race, which randomly continued another lap after it should have ended, and then it counted me as coming in last place. Not every race I played was such a disaster, but these glitches and bugs were bad and frequent enough to sour the experience. At the very least, the game is receiving updates and patches to fix these technical issues, but you never want to launch a game in such an unpolished state.
Worst of all, however, are Chocobo GP’s paywalls. Mario Kart Tour could get ridiculous with its paywalls as well, but at least in that case, the game itself is free. But Chocobo GP is a fully priced retail game that still has the nerve to demand its players pay more money to unlock characters, karts, and in-game currency. You can unlock all the seasonal rewards by playing and levelling up, but Square made sure the process was as long and tedious as possible to make such progress (I almost wonder if the lack of courses was deliberate, to create more monotony so players would cave in faster).
Square has said they will make the levelling up process more accessible in upcoming seasons, but it kind of feels like the damage is done. Especially when one considers the in-game currency (mythril) has an expiration date when earned by player experience but doesn’t expire when purchased. Classy.
Unlike a lot of people, I am not one who believes simply wanting to make money from one’s product is a bad thing. However, the sheer insistence of Chocobo GP’s paywalls would be greedy even for a free-to-play game. For a fully priced game to demand so much from players’ wallets is pretty lowdown (especially for a game marketed towards kids).
Ultimately, this is what dampens what should have been a fun sequel to an oft-forgotten game from yesteryear. I think there is a fun game in Chocobo GP, but Square chose to bury it under its own monetization model. And I think the game’s other shortcomings are a direct result of this. Imagine if Square had enough faith in the game to sell itself, then maybe more development time could have been used polishing the game instead of spent thinking of new ways to charge players.
Chocobo GP should have been a delightful throwback right out the gate. You can still have some good fun while playing it. It’s just a shame you have to turn a blind eye to so much in order to do so.
Here’s hoping a potential Bomberman Fantasy Race sequel doesn’t suffer the same fate.
Believe it or not, Kirby is 30 years old this year! The powerful pink puffball made his debut on the Game Boy in Kirby’s Dream Land in 1992, and has since become one of Nintendo’s, and gaming’s, most enduring characters.
While Kirby could inhale his enemies in Dream Land, it wasn’t until his second game, Kirby’s Adventure, that Kirby gained the ability to copy their powers by doing so. An ability that has defined the series since.
Over the past 30 years, Kirby has branched out to other types of games as well. whether adding new mechanics and innovations to his platforming romps or dipping his toes in other genres entirely, Kirby has proven to be second only to Mario as the most versatile hero in gaming.
Kirby has done so much over the years, that it seems a bit weird that he’s only just now getting his first-ever 3D platformer in the form of Kirby and the Forgotten Land. To celebrate Kirby’s milestone 30th year, as well as the release of Forgotten Land, I figured I’d compile my list of the top 10 Kirby games of all time!
I have to admit, this was a tough list to compile. Though the series may not have the same weight as Mario or Zelda, Kirby is arguably the most consistent of the lot in that he’s never really had a bad game (Kirby Battle Royal comes closest though). While this list is based on personal opinion, I did take into consideration which games were meaningful additions to the series as a whole, which ones were the most innovative, and things like that to help narrow it down.
And for those wondering, I will be counting any remakes as an extension of their original game. So, before you get upset that Kirby Super Star Ultra isn’t on here, it technically is by the fact that Kirby Super Star is (spoiler alert, I guess).
Because this list was so difficult to compile, I didn’t want to leave some of the extra games out entirely. So let’s give a brief shoutout to some honorable mentions before we get to the top 10 proper.
Honorable Mention: Kirby and the Amazing Mirror
A Kirby Metroidvania?! Up to four players?! Hot dog! That sounds, well… amazing!
And in some ways, it is. But Kirby and the Amazing Mirror’s world is less cohesive than other Metroidvanias (the in-game map hardly helps). Also keep in mind that this was 2004 on the Gameboy Advance, so the only way to actually get four players together was to make sure everyone had the game as well as link cables. It was difficult then, even more so now.
Still, you could argue that Amazing Mirror was ahead of its time with its concept. Kirby’s Return to Dreamland and Kirby Star Allies would eventually weave four-person multiplayer into classic Kirby gameplay. Now here’s hoping Hal and Nintendo decide to revisit the Metroidvania concept for the series down the road.
Kirby and the Amazing Mirror is a good game, but doesn’t quite reach the potential heights of its concept. Further point deduction for being the only game in the entire franchise not to feature his exalted greatness, King Dedede.
Honorable Mention: Kirby and the Rainbow Curse
I really struggled deciding whether Kirby Canvas Curse or Rainbow Curse would make the top 10 between the two similar titles. In the end, I went with Canvas Curse (spoilers again). But Rainbow Curse is certainly no slouch.
Kirby is no stranger to unique art styles, and Rainbow Curse’s clay-inspired visuals are among the best of the lot. It’s a gorgeous game! And the touchscreen/stylus focused gameplay remains as unique as it was in Canvas Curse.
On the downside, because the gameplay focused on the Wii U gamepad, you couldn’t always appreciate the visuals in all their glory (the gamepad obviously didn’t have the same quality as what was on the TV screen). And bizarrely, Kirby could no longer copy abilities, even though he could still do that in Canvas Curse. Also the game was released in 2015, that weird time period when Nintendo games had like three bosses that would just recycle over and over (like Captain Toad Treasure Tracker and Yoshi’s Woolly World), a trend that Rainbow Curse sadly fell into.
Still, the charm shines through. And the music is excellent.
Honorable Mention: Kirby’s Return to Dreamland
Controversy time! A lot of people these days seem to look back at Kirby’s Return to Dreamland on the Wii as one of the best games in the series, if not the best! It seems to have become maybe the second most praised entry by fans, after Kirby Super Star. Alas, it didn’t quite crack my top 10.
There’s certainly a lot to love about Return to Dreamland: it was the first traditional Kirby game released on a home console since Kirby 64 eleven years earlier, it featured pick up and play four-person multiplayer (play as either four Kirbies or different characters), and it doubled down on the series’ love of including a ridiculous amount of extra content. Oh, and it introduced the ‘water’ copy ability first seen in the anime into the games!
On the downside, Return to Dreamland is as by-the-books as it gets, adding very little to the Kirby experience that hadn’t been done before. At the time that may not have seemed too bad, given the whole “eleven years since Kirby 64” thing. But in retrospect it’s far more noticeable. It also doesn’t help that this was the early 2010s, when there was no shortage of retro 2D platformers. And the Wii and DS generation gave us much more innovative Kirby games.
A good Kirby game, but a safe one.
Honorable Mention: Kirby’s Pinball Land
Mario, Pokemon, and Metroid have all tried their hand at pinball games, but Kirby (quite logically, given the character) beat them to the punch.
The first-ever Kirby spinoff, Pinball Land saw Kirby play the role of the ball on three different pinball tables. Kirby’s Pinball Land is a very fun pinball video game on the Game Boy, though it is also pretty straightforward in its pinball-ness. Aside from the cute characters and boss fights, it doesn’t really introduce any Kirby themed gimmicks to the proceedings. Maybe some day, Hal Labratory will revisit this idea and find a way to implement Kirby’s copy abilities into the world of pinball.
A fitting “first” for Kirby spinoffs.
Alright, that’s probably enough honorable mentions. With that out of the way, let’s move on to the top 10!
10: Kirby’s Dream Course
Kirby’s Dream Course is one of the earliest Kirby games, being the fourth released overall, following Kirby’s Dreamland, Kirby’s Adventure and Kirby’s Pinball Land. But for such an early entry, it is a wildly innovative deviation from the series norms that is still fun and original to this day.
Dream Course is always touted as a “mini-golf game.” While that’s technically true, the game is far more than just a golf game with a coat of Kirby paint, making it stand out compared to the more straightforward Pinball Land. Kirby even gets to use his copy abilities this time around!
The stages are set up like mini-golf courses, and players have to knock Kirby around like a golf ball, eliminating all (but one) of the enemies on a stage, with the last enemy becoming the hole. Get Kirby in there and it’s on to the next stage! But use up too many turns and it’s game over.
Ten of Kirby’s copy abilities from Adventure make a return and change up Kirby’s physics for how he moves across the courses and takes out enemies. It all sounds so simple, but in execution it’s just so fun and creative. It also happens to be one of the best looking SNES games, with colorful character sprites and surprisingly effective isometric stages. It even has a two-player versus mode!
The only real downside is that, for a game that’s so different, it has very little in-game instructions, making it a little hard to ease into. But once you do, you’ll find one of Kirby’s – and the Super Nintendo’s – unsung classics.
Add this to the pile of “Nintendo games that desperately deserve a sequel.”
9: Kirby Mass Attack
Platform: Nintendo DS
The 2010s marked something of a reinvigoration for the Kirby series. Gone were the days of fun-but-vanilla entries like Squeak Squad and falling back on remakes of classics. Kirby was once again being used as a blank canvas for the folks at Hal Labratory to experiment with all kinds of crazy ideas, like in the early years of the franchise. And Mass Attack may be the weirdest idea of the bunch!
Kirby purists may lament that this is one of the entries where Kirby can’t copy abilities, but Mass Attack more than makes up for their absence by splitting Kirby into ten mini Kirbies, who have to use their combined numbers to overwhelm enemies, solve puzzles, and collect treasures. It’s basically like Kirby meets Pikmin!
Much like Canvas Curse did six years prior, Kirby Mass Attack is controlled solely by the touchscreen on the DS console. Players tap where they want the Kirbies to go, touch the enemies they want the Kirbies to attack, and can fling the Kirbies upward with a flick of the stylus. It’s another fun and innovative game that brings so much out of the seemingly simple concept.
As a bonus, Kirby Mass Attack includes a host of mini-games and side games, some of which could have been entire games in their own right. So in case the utterly charming main game wasn’t enough, Mass Attack has plenty more to offer.
8: Kirby: Planet Robobot
Platform: Nintendo 3DS
As stated above, the 2010s saw some great experimental Kirby games. But they also brought us some great traditional Kirby titles as well. Return to Dreamland started things off for this direction for the series, which continued with Triple Deluxe and Planet Robobot on the Nintendo 3DS, and Star Allies on Switch. All three are fun (though similar) additions to the franchise, but I think Robobot marked the peak of this generation of Kirby.
Kirby: Planet Robobot is your traditional Kirby platformer, filled with copy abilities for our overpowered pink hero to utilize. But the game features a fun mechanical motif, with the bad guys trying to convert Kirby’s world into a machine. Though the mechanical theme may not always reach its potential, it does bring a great new addition to the gameplay: Robobot armor!
Taking a page from Mega Man X, there are moments in Planet Robobot where Kirby can pilot Robobot Armor which, yes, combine with copy abilities to open up new gameplay possibilities. It’s similar to the Animal Friends from the Dream Land sequels, but since Hal seems hellbent on never giving us those guys again, the Robobot Armor is a great substitute.
There are also some fun new copy abilities, like Doctor Kirby and Psychic Kirby, the latter of which is one of the best in the series. On the downside, Poison Kirby, which should also be among the best copy abilities, is just a reskinned Water Kirby that deals continuous damage. That’s a missed opportunity. Maybe the series can bring back and alter Poison Kirby down the road and make it its own beast.
Kirby: Planet Robobot may be traditional Kirby through and through (never a bad thing), but the new copy abilities and Robobot Armor – in addition to some fun extra modes – make it the best traditional Kirby in a very long time.
7: Kirby: Canvas Curse
Platform: Nintendo DS
Given the massive success the Nintendo DS ended up being, it may be hard to remember that it had a rough start. Aside from a mixed bag of a Super Mario 64 remake, it didn’t have much to boast about at launch, or for several months after. The two screens and touch screen were awesome ideas that just weren’t being well utilized.
Then along came Kirby: Canvas Curse. Behold, the first great DS game! Canvas Curse opened the door for DS greatness, and the console never looked back.
Kirby: Canvas Curse made me LOVE the DS! It took advantage of the dual screens and the touch-based gameplay to create a game whose inventiveness still makes me smile just thinking about it.
In Kirby: Canvas Curse, Kirby has been transformed into a ball (well, even more of a ball), and the player has to draw rainbows for Kirby to move across. Tap Kirby when he’s on the rainbow, and he does a little dash attack. Dash into an enemy with a copy ability, and Kirby gains that ability (something which was sorely missed in Rainbow Curse). Players can even track down medals hidden throughout the levels, which unlock all kinds of bonuses like music, extra characters, and even new paint colors!
The action is of course displayed on the DS’s bottom screen, given that everything is touch controlled in Canvas Curse. The top screen displays a map, giving the player a better understanding of the layout of the levels.
Canvas Curse has some critics, namely those who prefer the more traditional Kirby games, since Canvas Curse was the title that started the more experimental branch of Kirby titles. But the series has been better off for it. After all, Kirby’s earliest years tried their hand at some odd ideas (see Dream Course above). Canvas Curse simply brought that creative spark back in a time when Kirby games were beginning to stagnate.
You may have noticed a recurring theme on this list of games that have a simple, fun idea, and bring out the best in said idea. This is an area in which Nintendo (and Kirby specifically) excel, and few have done it better than Kirby: Canvas Curse.
6: Kirby’s Dream Land 2
Platform: Game Boy
Kirby got his start on the Game Boy in Kirby’s Dream Land. It is only fitting that, after going to home consoles and deviating with spinoffs, Kirby would bounce back with a Game Boy sequel that is arguably the best game on the console to play today.
Although Dream Land 2 may be a small game by today’s standards, and lacks the ludicrous amount of extra content of contemporary Kirby games, the fact that everything Kirby’s Dream Land 2 managed to accomplish on the Game Boy remains so well executed and fun has to be commended. It wasn’t just a great game “for it’s time” or “for the Game Boy,” it’s still a great game despite its limitations.
Even though the title reads Dream Land 2, the game actually feels more like a sequel to Kirby’s Adventure. The copy abilities made their return (albeit condensed into what I like to call the “core seven” copy abilities). And Kirby once again had to face off with some demonic force after King Dedede was defeated (though this time, you had to uncover secret items to unlock that final showdown).
This wasn’t merely Kirby’s Adventure on a handheld, however, as Kirby’s Dream Land 2 introduced one of the series’ very best additions: the Animal Friends!
While Mario had Yoshi, Kirby gained three noble steeds in the forms of Rick the Hamster, Coo the Owl, and Kine the Sunfish. The best part was that each Animal Friend changed up the copy abilities, effectively quadrupling the number of powers at Kirby’s disposal. The fact that Hal has only properly brought back the Animal Friends for one other game is beyond perplexing.
Kirby’s Dream Land 2 may be a small game. But it’s one you can never go wrong with.
5: Kirby 64: The Crystal Shards
Platform: Nintendo 64 (obviously)
Speaking of Kirby games that had a great gameplay hook that for some reason has never been brought back, it’s Kirby 64!
Kirby 64: The Crystal Shards was the only Kirby game released on the Nintendo 64. Being released in 2000, it was pretty late to the N64 party (late-game additions were a common theme to Kirby back then, as you’ll see further on this list). But Kirby 64 was so good that none of that really mattered. Twenty-two years later(!!), it’s held up as one of the best Nintendo 64 games to play today.
Although the graphics took advantage of the Nintendo 64’s 3D capabilities, Kirby 64: The Crystal Shards was still played from a 2D perspective. But Kirby 64 had some fun with the hardware, with a more dynamic camera that would shift to more cinematic angles during certain moments (a little detail about the game that goes largely unmentioned, but that I love to bring up).
The big new gameplay hook was that Kirby could combine two copy abilities together! The aforementioned “core seven” abilities of the Dream Land series returned, only now when Kirby discarded a power, he could throw it at an enemy to make a brand new one (or just inhale two enemies at once)! It was an awesome feature then, and it remains awesome today. Why Hal Labratory never revisited the idea, I will surely never know (yes, Squeak Squad and Star Allies allowed some abilities to be put together, but to say it was a watered-down version of Kirby 64’s innovation would be an understatement).
While the Animal Friends may not have returned (Grrr!), Kirby did have some allies in the forms of Ribbon the fairy, Waddle Dee, Adeline the painter, and even King Dedede himself. Though only Dedede really changed up the gameplay, and only at certain moments. But these characters were all nice additions at any rate.
The game still looks great for an N64 title, and the soundtrack is one of the most beautiful on the console. The level designs stand out with how they seem to tell their own stories if you pay attention to the visuals. There’s even a trio of fun mini-games to play with friends. But it’s the combined copy abilities that give Kirby 64 some of the best gameplay in the series. I mean, one combination literally gives Kirby a double-sided lightsaber (being released relatively soon after The Phantom Menace, that’s surely no coincidence)! How have they never brought that back?!
4: Kirby’s Adventure
If you want the purest Kirby experience, look no further than Kirby’s Adventure. Oh sure, Kirby’s Dream Land may have been the first game in the series, but the fact it lacked copy abilities feels outright bizarre in retrospect, because they’ve become such an important element to the series since their introduction in Kirby’s Adventure.
It didn’t start small, either. Kirby’s Adventure features a whomping twenty-four copy abilities (okay, twenty-three if you don’t count the sleeping ability)! They range from the obvious mainstays like fire and ice, to powers that have become more obscure over time like the high-jump (which may seem superfluous since Kirby can fly, but it’s actually really cool). It even introduced one of Kirby’s rarest (and best) copy abilities right out the gate: UFO Kirby!
For an NES game, this is a staggering amount of gameplay variety. And while Kirby’s Adventure may seem limited by today’s standards, it has lost absolutely none of its fun factor or replay value. In fact, along with Mega Mans 2 and 3, Kirby’s Adventure is one of the few NES games to challenge Super Mario Bros. 3 for its 8-bit crown.
Kirby’s Adventure not only established the copy abilities as Kirby’s key gameplay feature, but also set other series standards as well: It made King Dedede a more misunderstood villain, and featured a greater evil as the final boss (in the form of Nightmare who, for my money, is still the coolest “big bad” in the series). It introduced many of the series’ most iconic tunes. And thanks to those copy abilities, set the tone for the level design for the series going forward, with areas that require certain powers to uncover all the secrets.
Some Kirby games have added to the formula, and others still have tried something entirely different. But for pure, unadulterated Kirby greatness, you just can’t go wrong with Kirby’s Adventure.
3: Kirby Super Star
Everyone else’s favorite Kirby game is number 3 on my list. To be fair, it was also my favorite for a long time, but two others have won me over more in recent years. At any rate, Kirby Super Star is an excellent game, and one of the highlights of the Super Nintendo. And boy, is that saying something!
I remember back in the day, Kirby Super Star was advertised as containing “eight games in one cartridge.” Which was always a bit strange because Super Star features seven platforming games and two mini-games. If they were being honest they would have said “seven games plus two mini-games!” Or if they really wanted to fancy it up for marketing, they should have glossed over the fact that two of them were mini-games and said “nine games.” Whatever.
At any rate, none of the games are full-fledged games on their own. More like pieces of a greater whole, each of which bringing its own twist to the gameplay. But they are all exceptionally fun!
Spring Breeze is a remake of Kirby’s Dream Land, now with copy abilities! Dyna Blade features a Super Mario Bros. 3 style map. Revenge of Meta Knight sees Meta Knight act uncharacteristically evil and has a more cinematic approach. Gourmet Race is, well, a race between Kirby and King Dedede. The Arena is a boss rush mode. And Milky Way Wishes is kind of like the main event, needing to be unlocked and combining elements of the other included games. But the best of the lot is The Great Cave Offensive, which is something of a light Metroidvania in that it’s presented as one big world as opposed to individual levels and features hidden treasures that you may need to return to once you find the right copy ability.
Super Star doesn’t stop with the multitude of games themselves, however. But the core Kirby gameplay received two very important additions.
The first is that Super Star was the first game in the series where the copy abilities have their own movesets, as opposed to a single power. The second is that Kirby Super Star brought two player co-op to Kirby platformers. Kirby could now discard a copy ability by turning it into a friendly version of the enemy he got the power from, whom a second player could then control. At a time when Mario and Luigi still had to take turns, Kirby Super Star allowed two people to play at once! It remains a cool and innovative means for multiplayer, and strangely the feature didn’t return until Star Allies in 2018 (though it was planned to return well before then).
These elements, combined with the colorful visuals and kickass soundtrack, combine to make what is probably the most beloved Kirby game of all time. It may rank in third place here, but I can’t argue against the love Kirby Super Star continues to receive to this day.
2: Kirby’s Epic Yarn
Kirby’s Epic Yarn is perhaps the most “huggable” video game ever created. A simple, sweet, always fun and endlessly charming little romp that’s as unique today as it was in 2010.
Epic Yarn is another entry in the “something entirely different” category of Kirby games. And dare I say it’s the best of the lot!
This is another game where Kirby is stripped of his signature copy abilities, but the gameplay that Epic Yarn introduces is so fun you really won’t miss them. Kirby is transported to a world where everything is made out of yarn (and other fabrics), and Kirby’s new yarn body simply transforms as the situation demands it: Instead of running, Kirby turns into a little car. He stomps on enemies by turning into a weight, swims by becoming a miniature submarine, and floats to the ground by changing into a parachute. There are other, more overt transformations during big moments in the game, like a robot tank and a snowboarding penguin! Kirby also comes equipped with a yarn whip, with which he unravels enemies.
It’s a constant delight to see the many things Yarn Kirby can do. This is a rare instance in which a video game’s art direction actually affects gameplay. Kirby can even interact with the environment, unzipping and unbuttoning parts of the world to uncover secrets. Kirby’s Epic Yarn features one of the most delightful art directions in video game history, and the game is every bit as fun to play as it is to look at.
As an added bonus, Kirby’s Epic Yarn even boasts a two player option, with the second player taking on the role of Prince Fluff, who has all the same yarn abilities as Kirby.
The game did receive some criticisms from – shall we say – “less cultured” gamers, due to its lack of difficulty, seeing as Kirby can’t die in Epic Yarn. But at what point did we decide every game hadto be difficult? No one ever complained when Wario couldn’t die in the Wario Land sequels! There’s room for all types of games, and Epic Yarn is proof of that. It isn’t difficult in any traditional sense, but players can lose their hard-earned beads if they aren’t careful. Kirby’s Epic Yarn is a soothing experience, key word there being “experience.” You can either get through the whole game at a leisurely stroll or go the way of the completionist and try to get the best score on each level, unlock all the hidden goodies, and build up Kirby’s apartment to get more tenants. If we can praise games that put cinematics before gameplay, we can certainly find the merit in games that display the beauty in the simple act of playing them.
As the icing on the cake, Kirby’s Epic Yarn includes one of the more underrated greats in terms of video game soundtracks, with a piano-centric score that is as warm and welcoming as the game’s visuals.
Kirby’s Epic Yarn is charm incarnate.
1: Kirby’s Dream Land 3
To date, there is no Kirby game I love more than Kirby’s Dream Land 3.
This may come as a surprise to many, since a number of players see Dream Land 3 as more of an “upper middle tier” entry in the series. But I think such a reception is mostly due to the timing of when Dream Land 3 was released. Kirby Super Star was released late in the Super Nintendo’s life, but by the time Dream Land 3 was released, the Nintendo 64 had already been on store shelves for months! But Kirby has had something of a habit of being late to the party. Kirby’s Adventure was released on the NES after the Super NES had been on the market, Kirby 64 was late to the Nintendo 64, and both Epic Yarn and Return to Dream Land didn’t make it to the Wii until later on. Sadly, because of the emergence of 3D gaming on the N64, Dream Land 3 seems to be the one that was most affected by its late arrival. But to deny Kirby’s Dream Land 3 of the attention it deserves is doing a great injustice to one of Nintendo’s most underrated gems.
You could say that Kirby’s Dream Land 3 is like the missing link between traditional Kirby games and Kirby’s Epic Yarn. Obviously, it follows in the footsteps of Dream Land 2, complete with Animal Friends (their only other proper appearance. Though they’ve been making more frequent cameos in recent years). Like Super Star, it features two-player co-op (this time the second player controls Gooey, a dark blue blob who uses his tongue to eat baddies). And like Epic Yarn, Kirby’s Dream Land 3 features a stunning and unique art style and a gentler tone. It’s like the best pieces of Kirby games that came before, and some that hadn’t even happened yet!
Kirby’s Dream Land 3 featured gameplay similar to its predecessor but, along with the aforementioned second player, brought in some meaningful additions of its own. The “core seven” copy abilities of Dream Land 2 returned (rock, fire, ice, spark, spike, cutter and parasol), along with one brand new one, cleaning, in which Kirby wields a broom (a power that was unique to this game until it reappeared twenty-one years later in Kirby Star Allies). The three Animal Friends from Dream Land 2 all made a comeback, now joined by three new ones: Nago the Cat, Pitch the Bird, and Chu Chu the Octopus (though she looks more like a girl Kirby).
Once again, each Animal Friend combines with the copy abilities in their own way, giving the game immense variety. Pitch often makes for the most fun combinations, but I’d be lying if I said Nago wasn’t my favorite of the bunch (I love that darn cat). Sadly, the Animal Friends here have become even more forgotten than the originals and have only made cameos in Kirby 64 and Star Allies (via the cleaning ability) since. That’s a travesty that needs to be rectified!
Another great twist to the gameplay is how every level in the game features a special “mission” that can be accomplished. You see, in addition to simply completing the stages, there’s a different NPC at the end of each level who needs Kirby and his friends to do a certain action for them. You may have to find a secret room to find a toad’s lost baby or track down the missing pieces of R.O.B. the Robot. Some stages have goals as simple as making sure you have a certain Animal Friend by the end of it. Others are admittedly a little more vague, but in such a way that once you reach the end, you feel more like “oh, THAT’S what I was supposed to do” as opposed to angry at the game for being cryptic or something. It makes you want to try again and do it right. Naturally, accomplishing every mission rewards you with the proper final showdown and ending.
Combine all that with another winning soundtrack and beautiful visuals that took the crayon-inspired graphics of Yoshi’s Island and cranked them to 11, and Kirby’s Dream Land 3 is a Kirby game that at once represents the best of all aspects of the series while also feeling unlike any of its Kirby kin.
Kirby’s Dream Land 3 is simply the very best of all the Kirby games.
Believe it or not, the Nintendo Switch was released five years ago today.
On March 3rd 2017, the Nintendo Switch was released worldwide, alongside The Legend of Zelda: Breath of the Wild. If you can believe it, at the time, many wondered if the Switch would prove to be a success, given the commercial failure of its predecessor, the Wii U. As we know now, the concerns were misplaced, as the Switch has proven to be a massive success in the gaming world. To be more specific, it recently surpassed the Wii to become Nintendo’s best-selling home console ever (and is behind only the Nintendo DS and Game Boy as Nintendo’s best-selling hardware). Not too shabby.
It shouldn’t be too hard to see why the Switch has been such a success. The idea of being able to play console games on the go is simple, but really makes a world of difference. Nintendo has released some of their all-time best games on the system (even re-releasing the Wii U’s best titles to give them a proper audience). And for the first time since the SNES, Nintendo has had some prominent, strong third-party support. I’d argue that the Switch had the best first year of any console in 2017( into 2018), and has only occasionally let up since.
Something to note on this fifth Switch anniversary is that there’s been no word yet on what the Switch’s successor could possibly be. That’s interesting because most Nintendo consoles (any console, really) usually has about a five-year timespan before its follow-up is released. The SNES, N64 and GameCube were all on store shelves for five years when their successors joined them. While the NES and Wii lasted six years apiece, we all knew what the next console in line would be around the five-year mark. Unfortunately for Wii U, that console lasted just over four years before the Switch came knocking. So normally a Nintendo console would be heading off into the sunset right about now (though I suppose the NES and SNES technically lasted a number of years after their successors were on the market). But the Switch doesn’t show any signs of slowing down. Nintendo and Game Freak announced a new Pokemon game just the other day for crying out loud!
That may bum some people out, if all they want is better graphics. But I’m kind of relieved the Switch seems to be sticking around for a while. I don’t want them to make a new console just to make it. I’m kind of tired of having to start over with a new console when the current ones still feel like they have plenty left to give.
Who knows how long the Nintendo Switch will ultimately last, but if its first five years are anything to go by, the Switch’s future should be a whole lot of fun.
Today is 2/22/22 Tuesday! To celebrate this profuse amount of twos, I figured I’d reach into my backlog and resurrect an idea I had a while back and highlight the best “2s” in video games. Not the best sequels per se – no strictly subtitled sequels (like Majora’s Mask), no 3s, 4s or any of that – just the best “2s.” Games with ‘2’ in the title.
When I first thought of making this list, I intended it to be a ranked top 10 list, before it fell on the back burner. I decided to resurrect this idea for 2/22/22, but did so pretty last minute. As such, I didn’t bother to take the time to narrow down or rank this list, so I’ll just list all the games I thought of alphabetically (16 games total). Perhaps some day I’ll get around to making the originally intended “Top 10 2s in Video Games.” But for now, I hope you enjoy this list as it is.
Before we get started, it’s important to note that I’m not counting games like EarthBound or Secret of Mana here. In Japan those games are respectively known as Mother 2 and Seiken Densetsu 2, but since I’m writing from an American perspective, those games will always be EarthBound and Secret of Mana to me. Also, “Tooie” doesn’t quite cut it. But we can consider all those games to be honorable mentions.
Now then, on to the twos!
Crash Bandicoot 2: Cortex Strikes Back
The original Crash Bandicoot gave the Sony Playstation a mascot, but it lacked polish. Crash Bandicoot 2: Cortex Strikes Back gave that mascot a game worthy of his reputation. It’s an improvement over the original in pretty much every way, and set the tone for the rest of the series more so than its predecessor did. One could argue Crash Bandicoot Warped ended up the best game in the original Crash trilogy, but it did so while introducing racing and shooting sections. If it’s pure Playstation platforming you want, Crash Bandicoot 2: Cortex Strikes Back is still a hell of a lot of fun.
Diablo II is one of those games that you just replay over and over again, learning from your previous playthroughs and seeing how you can do things better. It’s also great fun with friends. Diablo II’s simple hack-N-slash gameplay hides deep RPG mechanics that make for a memorable experience. Even before the recent remake, people were still playing Diablo II over two decades later as if no time had passed. It’s that engrossing.
Donkey Kong Country 2: Diddy’s Kong Quest
The first Donkey Kong Country revolutionized visuals in video games, and became an instant hit that extended the SNES’s lifespan. But its sequel, Donkey Kong Country 2: Diddy’s Kong Quest, improved on it considerably in every conceivable way. DKC2 sees Diddy take center stage, teaming up with his girlfriend Dixie, who can glide with her ponytail. The level design is constantly inventive, the gameplay is refined and always fun, and the soundtrack is gaming’s greatest. DKC2 is one of the best platformers and sequels ever. It’s Rare’s masterpiece.
Oh, and “Diddy’s Kong Quest” is the greatest pun in the history of video game titles.
Half-Life 2 is the first Valve game on this list, but it won’t be the last. Too bad they wouldn’t show up at all if I ever make a list of the best ‘3s’ in video games because…well, you know.
Half-Life 2 revolutionized single-player FPSs and narrative video games in one fell swoop. Its dark and dreary sci-fi world is unforgettable. And Half-Life 2 presented plenty of fun ideas along the way, not least of which being the Gravity Gun, which allowed players to manipulate the game world like nothing seen before.
Halo: Combat Evolved is the reason the Xbox was such a success. With all due respect to the other great games on the console, Halo was its crown jewel. The only game that was capable of knocking Halo off its pedestal? Halo 2, of course!
You could argue that Halo made the Xbox brand what it is. Similarly, you could say Halo 2 made online gaming on consoles what it is. Online games had existed on PC for a while, and consoles had dabbled in the idea (Saturn Bomberman!). But Halo 2 is what made it the standard for multiplayer games, and is the online experience everyone has tried (and only occasionally succeeded) in replicating.
Kirby’s Dreamland 2
The original Gameboy gave us all some cherished memories, but I’d be lying if I said most of the games held up against the test of time (remember that in those early days, the convenience of handheld gaming meant sacrificing some quality). That’s not the case with Kirby’s Dreamland 2, a title that’s still fun and charming to this day. Introducing Kirby’s animal friends and combining them with Kirby’s copy abilities is still one of the best additions to the series, making it a mystery why the concept has only ever happened again one other time. A perfect little game when you’re on the go.
Mega Man 2
Is Mega Man 2 the grandaddy of video game 2s? Only one game on this list predates it, but I think Mega Man 2 is the game that established the idea that, in video games, the sequel is expected to be better than the original (whereas in movies it tended to be the opposite). Mega Man 2 upped the ante from the original, and set the standard for the series which remains to this day. With some of the best level design and the most beloved soundtrack on the NES, Mega Man 2 remains a timeless classic. The template for what a ‘2’ should be.
Mega Man X2 ain’t too shabby, either.
Here comes Valve again. 2007’s Portal was a little slice of heaven. A game built around a creative idea (using portals to get from point A to point B), and told a simple story. It was short, but pretty perfect. A sequel could have tarnished the purity of Portal’s concept. Instead, Valve outdid themselves with a sequel that’s even more creative, fun and memorable than its predecessor. Adding just enough gameplay additions to feel meaningful to a sequel while not going overboard, and including a co-op multiplayer mode that further toys with the Portal concept. As innovative as it is unforgettable, Portal 2 is an all-time great.
Red Dead Redemption 2
Red Dead Redemption 2 is one of those games that you just get absolutely engrossed in. Using the end of the old west as a backdrop for its open-world – brought to life with some of the most realistic visuals in gaming – is just absorbing. There are countless things to do at any given moment. You can focus on the (great) story if you want, or you can hunt some outlaws for the bounty on their heads, play some poker at a saloon, hunt down legendary beasts, the list goes on and on. You may even be heading off to do one thing, only for another to demand your attention along the way. No matter how you choose to spend Arthur Morgan’s (and your) time, you’ll enjoy every minute of it.
Sonic the Hedgehog 2
Just like Mega Man 2, Sonic the Hedgehog 2 deserves a place in the hallowed halls of great video games 2s. It outdid the original Sonic the Hedgehog in pretty much every way, with better levels, boss fights and music (such glorious music!). Plus, it introduced us to Sonic’s sidekick Tails. The Luigi to Sonic’s Mario.
Sonic the Hedgehog 2 became the best-selling title on the Sega Genesis, and solidified Sonic’s place in the gaming world. Many still consider it the Hedgehog’s peak (though Sonic 3 & Knuckles, CD and Mania may have something to say about that). When you think of Sonic games, Sonic 2 is usually what your mind immediately goes to. A classic.
Street Fighter II
Street Fighter II is perhaps the most accomplished of all the video game 2s. Mega Man 2 and Sonic 2 may have set the standard for their series, but their predecessors are still fondly remembered in their own right. But in the case of Street Fighter, no one cares about the original, while the sequel created a phenomenon. Street Fighter II pioneered the multiplayer tournament fighter, created (by accident) the concept of elaborate combos, revitalized arcades in the early 90s, and set the standard for the series and genre. It was so good, in fact, that Capcom couldn’t stop re-releasing it.
Super Mario Bros. 2
Yes. This counts.
Super Mario Bros. 2 is unfairly seen as the “black sheep” of the Super Mario series (even with Super Mario Sunshine on the table. smh). Part of that is due to the original Super Mario Bros. being so revolutionary, and Super Mario Bros. 3 being such a phenomenon, with Super Mario Bros. 2 sandwiched in between. But people didn’t seem to mind that so much back in the day. Not until it became common knowledge in the west that what we know as Super Mario Bros. 2 is actually a different game in Japan (Yume Kōjō Doki Doki Panic) did our Super Mario Bros. 2 suddenly lose much of its reputation.
That’s dumb. Because Super Mario Bros. 2, as we here in America know it, is still one of the best games on the NES. And it introduced us to elements that have become Mario mainstays, notably Shy Guys, Bob-ombs and Birdo.
Super Mario Bros. 2 is the oldest game on this list, and even after all these years, deserves mention on any list like this. Reskin or not.
Super Mario Galaxy 2
Super Mario Galaxy 2, like Portal 2, is unique in this list in that it improves on its predecessor in virtually every way, despite its predecessor seemingly leaving nothing that needed improving. 2007’s Super Mario Galaxy was a gem in the world of gaming that breathed new life into Nintendo’s flagship franchise (and the Wii console). Then Galaxy 2 came along, took the foundation of the original, and just let its imagination run absolutely wild. Super Mario Galaxy 2 may look like its predecessor on face value, but whereas the first Galaxy was all about giving the Mario series something new (space and gravity), Galaxy 2 is a treasure trove of ideas and concepts themselves. A non-stop toy box of innovation and fun, Super Mario Galaxy 2 is one of gaming’s greatest achievements.
Oh, and Yoshi’s back too! Kick. Ass.
Super Mario World 2: Yoshi’s Island
While Super Mario Galaxy 2 and Portal 2 perfected already perfect formulas, Super Mario World 2: Yoshi’s Island took a flawless game (Super Mario World, duh!) and basically said “yeah, that was great. But now we’re going to do something so different it could be an entirely separate series.” But hey, it’s got that “2” in the title, so it counts!
Yoshi’s Island is another triumph for Mario, platformers, and sequels. Throwing Yoshi (rather, a tribe of Yoshis) into the spotlight was a stroke of genius, wildly changing up the gameplay from the rest of the Mario series (creating a spinoff series for Yoshi thereafter). Enemies become eggs, which are your ammo to reach far away objects and collectibles. The time limit is gone, as is the traditional health system (protect Baby Mario!). It was fresh and innovative in 1995, and Yoshi’s Island has lost none of its luster in the years since. Combine the creative gameplay with the crayon-inspired visuals and epic boss fights, and you have one of Nintendo’s best games ever.
Team Fortress 2
Yet another Valve sequel! Can you imagine what Valve could do if they realized the number 3 exists?!
Team Fortress 2 is an interesting case because the original Team Fortress was a mod for Quake before becoming a game of its own as Team Fortress Classic. So Team Fortress 2 is technically the third game in the series. One thing’s for sure, Team Fortress 2 became the team shooter by which all others would be judged. With nine different classes, a variety of maps and modes, and an art style that looks like The Incredibles, it’s all too easy to see why Team Fortress 2 became a hit right out of the (Orange) box.
Uncharted 2: Among Thieves
Uncharted: Drake’s Fortune was Naughty Dog’s attempt at bringing the action and adventure of Indiana Jones to the world of video games. While it did that, it did so with a number of hiccups (unpolished controls, enemies that apparently eat bullets, etc.). That wasn’t the case with Uncharted 2: Among Thieves, which realized the potential of the series to create one of the most beloved Playstation games of all time.
The set pieces were bigger and more elaborate than before, the puzzles were more clever, and the action was non-stop. Uncharted 2 really brought the Indiana Jones-like spectacle to life. Nathan Drake’s second outing was never short on thrills. It’s a blast.
It could’ve had more Sully though. Because more Sully is only ever a good thing.
That’s it. That’s my list. I know, you’re probably going to bite my head off for “missing” one game or another. But I can’t play everything!
At any rate, I hope you enjoyed this list. Perhaps it gave you a trip down memory lane or maybe even inspired you to check one of these games out that you missed out on before. Maybe one day I’ll make the traditional top 10 list version of this, but for now, let’s just sit back and celebrate all of the 2s!
Movies based on video games have rarely worked out. In the past, you could argue that video games were so different from movies that it was difficult to translate the material onto the silver screen, giving something of an excuse to the lackluster quality of video game movies. But as video games became more and more movie like, you would think they’d be easier to adapt to the cinema. But apparently you’d be wrong, because video game movies didn’t get any better (you could say they even got worse, considering they no longer had the excuse of trying to adapt something that was so fundamentally different from movies).
However, the past few years have seen a rise in quality for the video game movie, with three entertaining films in the sub-genre being released in as many years: 2019 gave audiences the cute and charming Detective Pikachu, 2020 surprised us all when Sonic the Hedgehog actually ended up being good, and 2021’s Mortal Kombat reboot was also solidly fun. They may not have been great movies, but they each proved to be entertaining features in their own right, and also notably paid respects to their source material, whereas the video game movies of yesterday seemed embarrassed by the video games that inspired them. Simply put, things are finally starting to look up for the video game movie.
That brings us to Uncharted, based on the video game series by Naughty Dog. The Uncharted games took inspiration from the Indiana Jones films with their non-stop “BANG ZOOM” style of action set pieces. The characters are fun, and the games have witty dialogue. If any video game should have a smooth transition into the world of movies, surely it’s Uncharted.
Which makes it so strange that this Uncharted movie has had such a turbulent time getting made at all, and that the finished product only kind of works.
Plans for an Uncharted movie go all the way back to 2008, the year after the original Uncharted game was released on the Playstation 3 (feel old yet?). Actor Nathan Fillion famously wanted to portray series lead Nathan Drake in whatever movie ended up being made (he even looks like Nathan Drake and shares his first name), but the closest he got was starring in a fan made short film as the character. For a few years in the early 2010s, Mark Wahlberg (who looks kinda like Nathan Drake) had been cast in the role. Though the ongoing turbulent production meant that never happened, either.
Fourteen years and a revolving door of directors and writers later, the Uncharted movie is finally a reality, with Tom Holland (who looks nothing like Nathan Drake) in the lead role. Meanwhile, Mark Wahlberg, still contractually attached to the movie, has to settle on the role of Victor “Sully” Sullivan, Nathan’s friend and mentor who is much older than Wahlberg in the games (to be fair to Wahlberg, Sully is the best character in the games, so I wouldn’t call it a demotion).
Right away, I can tell you the two leads are miscast. Both Holland and Wahlberg are good in the movie in regards to acting (though they severely lack the chemistry of the characters in the game). But neither actor looks like – nor captures the essence of – their respective character. Nathan Drake always had kind of rugged, everyman good looks, not the babyfaced boyishness of Tom Holland (something that’s reinforced by the Playstation Productions logo at the start of the movie which shows us what Nathan should look like). Meanwhile, Mark Wahlberg is not only too young to be Sully, but the fact that he’s constantly standing right next to Nathan Drake while looking more like Nathan Drake than Nathan Drake is just awkward. Plus, some of the humor of the character is lost with the reduction in age (surely I’m not the only one who thinks J.K. Simmons should have been Sully?).
That’s not to say that the movie gets everything wrong. Uncharted continues the recent trend of video game movies paying respects to their source material. The film begins similarly to the beloved Uncharted 2: Among Thieves, with Nathan Drake awakening in the middle of a death defying set piece before the story takes us back to the beginning and leads us back to this point midway through (a set piece which, by the way, is ripped directly from Uncharted 3: Drake’s Deception). We’re also given flashbacks of a young Nathan Drake (Tiernan Jones) during the time he spent with his older brother Sam (Rudy Pankow) and how that inspired him to become a treasure hunter, something taken directly from Uncharted 4: A Thief’s End. And the film even uses the overall template from the series by taking a real historic figure or event (in this case, Ferdinand Magellan and the Magellan Expedition) and giving it a fictional, treasure-centric spin (though now that I think about it, it’s kind of weird how the first three games had a supernatural twist, but the fourth game and this movie do not). So the movie is respectful to the games, which should sit well with fans.
The film is an origin story for Nathan Drake, showing how he met Sully and became a treasure hunter. Sully was once partnered with Sam, before Sam went missing. But the connection to his brother leads Nathan to join Sully on his adventure to find the treasure of the Magellan Expedition, the same treasure Nathan and Sam used to dream about finding. Along the way, Nathan and Sully are also joined by Chloe Frazer (Sophia Ali), a mysterious treasure hunter who’s as much a rival as she is an ally (another observation: Chloe wasn’t introduced until the second game in the series but made it into the film, while the original female lead, Elena Fisher, is absent from the movie). Naturally, there are also villains after the same treasure, in the form of Santiago Moncada (Antonio Banderas), a millionaire willing to do anything to claim the treasure, and his hired mercenary Jo Braddock (Tati Gabrielle).
Uncharted is a fun movie that follows the structure of the games pretty well. The big set pieces are entertaining, even if they don’t quite match up to those from the games (the finale comes close though). Maybe that’s partly because in the games you actually got to play those set pieces, which I kind of appreciate all the more now that I write that out. And it’s a well acted movie despite the miscasting. But there’s just something missing in the translation to the big screen. The Uncharted video games featured some strong character moments, and some sharp dialogue and banter between characters. The movie makes attempts at these, but such moments always end up feeling kind of rushed and flat. The aforementioned lack of chemistry between Holland and Wahlberg doesn’t help this at all, either.
It’s difficult to describe. Uncharted has most of the elements that made its namesake video game series so memorable, but it just never really seems to come together. It’s enjoyable enough, but Uncharted somehow just doesn’t click.
There are many worse video game movie adaptations than Uncharted, but there are a few better ones. Uncharted should have had a seamless transition from video game to movie, and could have been a great action-adventure flick in its own right. It’s a fun movie that has some exciting set pieces, but Uncharted ultimately feels like its treading familiar ground for the genre, and doesn’t reach the potential of what an Uncharted movie could be.
I think we’ll see more Uncharted movies in the future (whether they’re sequels or a reboot depends on the success of this film), and hopefully one day we’ll get an Uncharted film that lives up to the video game series. But Uncharted’s first big screen outing is simply an ‘okay’ movie.
Who would have thought that Sonic the Hedgehog’s big screen debut would have ended up so much stronger than Nathan Drake’s?