How to Train Your Dragon: The Hidden World Review

During a flashback sequence in How to Train Your Dragon: The Hidden World – the third and final entry in Dreamworks Animation’s critically-acclaimed trilogy – Stoic the Vast (Gerard Butler) tells his young son Hiccup (Jay Baruchel) that “Love comes with the great price of loss.” It’s a hefty message for a “kid’s movie,” one that treats its target audience with respect, and trusts that they’re mature enough for it. It’s also a fitting message, seeing as the How to Train Your Dragon series began at the dawn of the 2010s, the series now seems to be bookending the movie decade, with many of those who watched the original in theaters as children now adults themselves.

That’s why I wish I could say that How to Train Your Dragon: The Hidden World lived up to that message. The Hidden World may earn brownie points for never talking down to its young demographic, but like both of its predecessors, it ultimately plays things safe in terms of narrative structure. And what could have been a deep, melancholic change of pace for the franchise is unfortunately a missed opportunity in a rather by-the-books animated adventure.

That’s not to say that How to Train Your Dragon: The Hidden World is bad by any means. But I’ve always felt that this franchise’s acclaim has been a little misplaced, with most of its praise stemming from the fact that it was a Dreamworks franchise not built on sarcasm (admittedly a novelty for the studio), as opposed to anything remotely resembling Pixar levels of storytelling and thematic invention. How to Train Your Dragon was always a good series, just not really special in the way its acclaim might have you believe. In that sense, The Hidden World lives up to its predecessors’ quality, but it’s a shame that this final entry couldn’t ascend into something more than the series’ “solid but safe” status.

Taking place one year after the defeat of Drago Bludvist and the death of Stoic the Vast in How to Train Your Dragon 2, The Hidden World sees Hiccup as the new chieftain 0f the vikings of Berk. And Hiccup’s pet dragon (a ‘Night Fury’ to be precise), Toothless, is the alpha dragon of Berk. With vikings and dragons finally coexisting in peace, Berk seems like a paradise.

Hiccup and his friends – including his now-girlfriend Astrid (America Ferrera) – have been freeing dragons from less open-minded vikings, and bringing them to Berk as a kind of dragon utopia. But this eventually riles the ire of several viking warlords, who recruit the infamous dragon hunter Grimmel the Grisly (F. Murray Abraham) – the man responsible for sending Night Furies to the brink of extinction – to hunt Toothless and claim Berk’s army of dragons.

Grimmel proves to be a cunning foe, and eludes Berk’s attempts to thwart him. Out of desperation, Hiccups commands the citizens and dragons of Berk to find a new home, on their journey to find the fabled “Hidden World” which can serve as a sanctuary for dragons, outside of human reach. But Grimmel has an ace up his sleeve, a female “Light Fury,” which he plans on using to lure Toothless out of hiding.

It’s a straightforward plot, but one that feels epic in buildup, but ultimately misses its potential in execution. The Hidden World retains the series’ standard hour and a half runtime, but the story at hand feels like it needs more. As a result of cramming in an epic scope into a shorter runtime, many key moments in the film fly by pretty quickly. When what I assumed to be another action set piece ended up being the climax of the film, it really became apparent how rushed the film can feel. It leaves both the big action scenarios and the key emotional moments feeling a tad underwhelming.

Another persistent issue with the franchise which is still at play here is that there are too many side characters. We have Hiccup and Astrid’s friends; Snotlout (Jonah Hill), twins Ruffnut and Tuffnut (Kristin Wiig and Justin Rupple), Fishlegs (Christopher Mintz-Plasse), as well as Hiccup’s mother Valka (Cate Blanchett), Berk’s resident blacksmith Gobber (Craig Ferguson) and enemy-turned ally Eret (Kit Harington). This abundance of side characters may not have been an issue, if not for the fact that – aside from Valka and Eret – they are all played entirely for comic relief, which basically makes them interchangeable. Once again, if the film were given more time to develop these characters, they may have been a little more than their introductory punchlines. Yet here we are at the end of the series and that’s still where they are.

Of course, the relationship between Hiccup and Toothless is still sweet and memorable. Additionally, the relationship between Toothless and the Light Fury is a cute, Lady and the Tramp-style romantic subplot. And I do have to admit, Grimmel is a step up from Bludvist in the bad guy department.

How to Train Your Dragon: The Hidden World still showcases the strengths of the series: The animation is often stunningly beautiful, the various creature designs for the dragons are cute and charming, and the music is as gorgeous and epic as ever. Like its predecessors, the things that How to Train Your Dragon: The Hidden World does well, it does very well. But the disappointing thing is that, in terms of story, the franchise has done very little to stand out on a narrative or thematic level. And more so than the past two entries, The Hidden World suffers from its relatively short running time (plenty of animated films aimed at children reach the two hour mark these days. And when trying to tell a story on this scale, the extra time really could have helped).

The How to Train Your Dragon trilogy can at hold its head high knowing that all three of its acts are genuine efforts that are sure to please fans. But it is a bit of a shame that its storytelling capabilities never really evolved beyond tried-and-true animated conventions. Still, a consistent trilogy is hard to come by, and fans of How to Train Your Dragon will be happy to know that their series is one of the few to have pulled it off.

 

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How to Train Your Dragon Review

During the 2000s, Dreamworks Animation was in something of a rivalry with industry giant, Pixar Animation Studios, as the two regularly competed for cinematic supremacy in the CG animation scene. Dreamworks and Pixar traded box office victories, but when it came to critical and audience approval, Pixar consistently came out on the winning end. Perhaps Dreamworks got too comfortable with their more snarky, parody-style that began with Shrek (an instance in which such a movie felt fresh and original), but the studio always came up short against Pixar’s more earnest storytelling. That seemingly changed in 2010, when Dreamworks released How to Train Your Dragon, which told a more direct narrative than Dreamworks’ usual fare and, perhaps because of that, reaped critical praise and started a franchise that boasts many diehard fans.

While How to Train Your Dragon did feel like a breath of fresh air from Dreamworks at the time, the years since have revealed that sense of newness to have been relative. Dragons – though containing a good deal of competence with its material – seems to be telling its story from a rulebook, as it contains a strong sense of “been there, done that” throughout.

How to Train Your Dragon tells the story of Berk, where a tribe of vikings – lead by Stoick the Vast (Gerard Butler) – frequently have to do battle with dragons, who steal the vikings’ food and livestock at night. The vikings have been at war with dragons for generations, and see them as their mortal enemies.

There is one viking, however, who isn’t cut out for dragon-slaying. This viking is named Hiccup (Jay Baruchel), who happens to be the son of Stoick. Hiccup is something of a scrawny pushover, and has long-since been relegated to being the apprentice of the village blacksmith, Gobber (Craig Ferguson). But Hiccup longs to fight dragons, like the rest of the vikings, and invents machines in order to make up for his shortcomings. During a dragon attack one night, Hiccup decides to prove his mettle and tests one of his machines, successfully trapping a Night Fury, a dragon so fast that no viking has seen one up close.

Naturally, the other vikings don’t believe that Hiccup of all people could have been the first to down a Night Fury, so Hiccup sets out to find the trapped dragon, kill it, and prove his worth to the other vikings. But when Hiccup confronts the beast, he can’t bring himself to kill the dragon. Instead, Hiccup frees the Night Fury – whom he names Toothless – and begins to raise the injured dragon as a secret pet.

Hiccup soon learns how to tame dragons, as opposed to hunting them, and realizes that the vikings’ idea of dragons being mindless killing machines couldn’t be further from the truth. All the while, he tries to find a way to convince the other vikings – including his father Stoick and his would-be love interest Astrid (America Ferrera) – to see dragons in a different light.

Truth be told, the story is solid and well told, with some strong emotional bits and a good amount of entertainment throughout. Hiccup is a likable main character (even if Baruchel’s voice sounds a little older than the character should), Toothless is adorable, and the bond between the two makes for a heartwarming “boy and his dog” story…albeit the dog is a dragon.

How to Train Your Dragon tells its story with confidence, and there’s not a whole lot technically wrong with its narrative. The problem is that its narrative can feel like it came off a conveyor belt. Its setup of a misfit hero defying traditions, butting heads with ignorant adults, and befriending a creature once thought villainous, How to Train Your Dragon often brings to mind, well, pretty much every animated movie in history.

Again, that’s not to say that what is here is bad per se, as the storytelling at play is mostly solid, and the film does what it does better than many other animated features that did the same. It’s just that How to Train Your Dragon never once feels like it ventures off the beaten path. Both the story and the characters feel like they could have been pulled from an instruction manual on animated storytelling. It’s certainly an enjoyable and well put-together film, but I can’t help but wish How to Train Your Dragon had a little more creative spark in how it tells its story and the characters it chose to populate it with.

Though it may lack in imagination, How to Train Your Dragon does make for a fun viewing for audiences. Older crowds will appreciate the exquisite CG animation, dramatic musical score and thrilling flying sequences, while the younger lot will probably love the film for the various dragons that show up (each dragon looks and behaves differently, and have their own abilities, bringing a little Pokemon element into the mix).

Make no mistake about it, How to Train Your Dragon is a good movie. But it also seems to have become a bit overhyped. Often hailed as a modern animated classic, repeat viewings can make How to Train Your Dragon feel more like an entertaining but unremarkable animated adventure. It was great to see Dreamworks leave their comfort zone of more sarcastic animated features and make something more genuine (though I’d argue they also did that with Kung Fu Panda beforehand). But if one were to compare How to Train Your Dragon with many of the features Pixar was making at the time (and still is making on occasion), How to Train Your Dragon still feels like it’s in a comfort zone of its own. It’s thoroughly competent at what it does, but what it does is never really anything more than exactly what you’d expect of it.

 

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