Here you can find all of my 2016 Movie Awards (celebrating the best of 2015) in one convenient place.
And of course, Best Film (Top 10)
2015 was a fantastic year for movies (for me anyway, I don’t know about you). There were so many great films in so many genres that I had difficulty ranking a top 10. But ranking a top 10 I must, and I feel I’ve finally managed to properly list my ten favorite films from 2015.
You may (once again) notice that my list won’t look like a whole lot of others. I like what I like, and I try to be honest with that. This of course means I’m not just going to sprinkle in some indie films and Oscar-bait just so I look “credible” to the hipsters and snobs of the internet. Some Oscar movies and indie flicks always have the potential to make it as some of my favorites of the year (and in the case of the former, some did this time around), but only if they had enough of an impact on me personally.
I have to admit, a number of films I really enjoyed, such as The Revenant, Ant-Man and Mission: Impossible – Rogue Nation, didn’t quite make the cut. 2015 was such a good year for movies that those films, contenders in their own right, miss the mark.
Also keep in mind that, although these ten films are ranked, some of them (particularly numbers 3 through 5) are pretty interchangeable. So if I ever say something down the road that contradicts what I say here, it’s not an inconsistency. Opinions fluctuate.
So without further ado, here are my top 10 films of 2015.
I just saw Deadpool, and though I haven’t yet had the time to fully analyze it and let my opinions fully bake, I figured I’d write how I feel about the movie now despite my opinions still being in dough form.
Overall I enjoyed Deadpool more than I thought I would. I’ve admittedly never been a fan of the Deadpool character, as I tend to not usually be a fan of overly sarcastic, self-referential characters (I like my stories genuine, even if they’re ridiculous). But Deadpool worked for the most part.
Ryan Reynolds’ performance was particularly memorable, as he pretty much nailed the character’s comedic and fourth wall-breaking elements perfectly, and also managed to delve into some more serious territory when necessary.
The portrayals of fellow X-Men characters Colossus and Negasonic Teenage Warhead were also enjoyable, as were the nods to the confusing continuities of the X-Men movies and this film’s relatively low budget when compared to them.
On the downside, Deadpool continues the recent trend of super hero movies of having a completely forgettable villain. The villain simply lacks presence, and in terms of super powers he doesn’t come off as a threat to Deadpool and company.
Though Deadpool starts things off with an interesting pace – beginning with a brutal action scene before going to the origin story and back again – it ultimately devolves into another predictable super hero origin story. By the end of things, it largely turns into one of the very movies it insistently mocks.
Overall, Deadpool was fun. It wasn’t great by any means, and I still can’t say I’m a fan of the Deadpool character as a whole, but the fact that I mostly enjoyed it despite my initial skepticisms is saying something.
Comedy has always played a big role in movie history. Though many comedies seem to get dumber and tackier as the years go by, there are still a number of gold ones to be found. As far as 2015 goes, the best comedy may seem like a rather unlikely one…
Winner: Shaun the Sheep Movie
There are few animation studios out there who display the painstaking attention to detail of the medium quite like Aardman. This quasi-spinoff of Wallace & Gromit is one of the studio’s most enjoyable features, and also one of their funniest.
What’s remarkable about Shaun the Sheep Movie is how it accomplishes its storytelling and humor through action alone. Not a single word is spoken in the movie (apart from background songs), yet it manages to produce a number of laugh out loud moments. It’s a great reminder that comedy is more than simple punchlines, and that humor itself can carry a story, and even produce some more sentimental moments.
Forget that it wasn’t the biggest box office performer out there, Shaun the Sheep Movie is an undeniable good time, and 2015’s best comedy.
As much as we may begrudge the idea of sequels, let’s be honest, we all love a good franchise. Sure, there are a lot of cash-in sequels and franchises that get way more attention than they deserve (I’m looking your way, Transformers). But let’s face it, without ongoing movie series, the world of cinema would feel incomplete.
Sometimes, a series may dwindle in quality after a while. Other times they are able to pick themselves back up. I think we all know which franchise saw the greatest return to form in 2015.
Winner: Star Wars: The Force Awakens
Though I truly loved Mad Max: Fury Road, it didn’t have a terrible prequel trilogy to redeem itself from. Star Wars, on the other hand, had the notorious Episodes I, II and III in the back of audience’s minds. Thankfully, The Force Awakens delivered an adventure that’s as fun, engaging and magical as Star Wars has ever been.
No Hayden Christensen, no Gungans, no Midichlorians, no Gungans, no political subplots, no Gungans, no poorly-written romances, no Gungans, no pointless Podraces, no Gungans, you get the idea.
Whatever bad memories were created by the prequel trilogy should be melted away by the sheer delight of The Force Awakens. It really is everything we’ve always loved about Star Wars made new again.
Thanks to The Force Awakens, it is now cool to like Star Wars again. Now Disney is left with one hefty task: topping The Force Awakens with the sequels.
Runner-up: Mad Max: Fury Road
Okay, I guess I should elaborate more than that.
I guess you could say my problem with this year’s Oscar nominees is basically the same as my problem with the Oscar nominees every year. It’s once again not an award ceremony celebrating the best films of the year, but an love-fest dedicated to the best of certain types of films (save for Mad Max, which has miraculously snagged 10 nominations despite the fact that it’s actually entertaining).
It baffles me that every year you read how the Oscar viewership keeps slipping, and that they receive backlash from fans, yet they willingly continue to do the same things they always do, believing that simply changing the host will restore people’s faith in them.
If the Academy Awards really wanted to win over people and viewership, they should nominate movies people actually care about! Shocking, I know. But it’s crazy enough that it just might work.
Now, I’m not saying that they can’t also nominate the “smaller” artsy movies they love so much, or that they should just nominate any movie that a lot of people saw (that would equally as disastrous). But surely they can find some kind of middle ground?
The obvious omission this year is that Inside Out isn’t nominated for Best Picture, despite being the most acclaimed film of the year, one of the biggest box office champs of 2015, and probably one of the most warmly-embraced movies of recent memory. Sure, it got the token Best Animated Feature nomination, and a Best Original Screenplay mention, but there really is no reason why it shouldn’t be in the running for Best Picture, other than the Academy’s blatant bias against animated films. For people who often gloat about their embracing of the little guy and diversity, and trying to make changes to the world, they certainly are closed-minded when it comes to the movies they nominate.
Given that Star Wars: The Force Awakens is also critically acclaimed, and one of the biggest movies of all time, I think it’s earned a Best Picture mention as well. I mean, if James Cameron’s garishly CG’d retelling of Pocahontas, and Neil Blomkamp’s abysmal and pretentious District 9 can get a mention, there’s no reason why a return to form like The Force Awakens shouldn’t get its name in the Best Picture running.
Then there’s the other categories. Where is Inside Out’s Best Original Score nomination it so rightfully deserves? Or The Peanuts Movie in Best Animated Feature? Why the Hell has there never been a director of an animated film nominated for Best Director?
I’m also guessing that, just like last year’s award show, we’ll be seeing countless slams towards super hero films by the presenters, as they pretend that the artsy movies they nominate don’t have their own long list of cliches and predictability. God forbid some people make movies that actually gain an audience.
I’m probably getting too worked up over this. A wise man once said “you can’t win against fools.” And if the Academy of Motion Picture Arts & Sciences can’t be more open-minded towards different mediums and genres of films, particularly ones that prove acclaimed and timeless, then they most certainly are foolish. They probably aren’t worth me writing all of this. I mean, if you can’t nominate the most acclaimed film of the year (Inside Out) or the biggest cultural phenomenon (Star Wars) for Best Picture, then they’re clearly in the wrong line of work.
If doing the same thing and expecting different results is the definition of insanity, then the Academy must be comprised of an insane asylum.
This past Thanksgiving, I went to go see Pixar’s The Good Dinosaur in theaters. It was a good movie, but far from Pixar’s best. Though I may wait to fully express my feelings for it, because my viewing was largely dampened (and distracted) by the audience, who were without a doubt one of the worst audiences I have ever had the displeasure of viewing a movie with.
No, I’m not talking about disruptive children. In fact, the one family who was attending the movie were the only group of people who were respectful to their fellow moviegoers. I’m talking about two groups of twenty-somethings who had zero respect for the movie or the other people in the audience.
I kid you not, the person sitting closest to me laughed through the whole thing. That’s not an exaggeration. They were literally snickering through the movie’s entire running time. It didn’t matter whether the scenes were supposed to be funny or not, they continued to laugh even in the film’s sad moments. And the group sitting a few rows behind me just had to give their own little commentaries on the movie whenever possible. Because obviously we were all dying to know what they were thinking, and not trying to watch a movie in a movie theater.
The sad thing is, I’ve noticed crowds like this are becoming more and more common. They come in with a cynical, disrespectful disposition, and treat the situation as though the movie is there for them, instead of them being there for the movie. They’ll talk whenever they feel like it, laugh during inappropriate moments, and give their two cents for all the world to hear whenever possible.
It’s really a sad reminder of how cynical and self-absorbed people have become in this internet age. These days, people are encouraged to dislike everything, because there’s always some yahoo out there who would remind them how “stupid” they are for liking something.
It seems like people no longer have respect for art and entertainment. This age of meme and internet culture has reduced people’s taste to bite-sized chunks. If something is anything more than a singular joke, it must be belittled and mocked. If a movie (or TV show or video game or whatever) gives an honest attempt at storytelling, then it’s an even bigger target for ridicule.
You’ll hear a lot of people say things along the lines of “I liked that movie because it didn’t take itself seriously.” Because heaven forbid an artist actually cares about the story they’re trying to tell. I’m not saying that stories need to be dead-serious (I personally have a preference for the lighthearted and whimsical), but people these days seem to think that unless something is entirely tongue-in-cheek and self-aware, it’s crap. We don’t want humor, we want mockery and self-parody.
We live in an age that feeds cynicism. We belittle the works of artist to satisfy our own egos, and blow the tiniest details of any given work out of proportion to give us something to complain about and make ourselves feel special. It’s sad that these days I see words such as “sentiment” used as a negative. How dare people have emotion!
It doesn’t help that these days we have things such as Honest Trailers on the internet, which basically roll with such cynicism and pretty much tell people to hate movies. I’m not saying people can’t make jokes about the things they like, but things like Honest Trailers and their ilk just cater to today’s self-important, cynical mentality. They don’t simply make jokes about movies, they more or less say “All these popular movies you like suck and you’re an idiot for liking them! Let us nitpick and tell you why you’re such a dumb ass for enjoying these movies.”
Again, I have to say that it’s like we encourage people to not like anything. Back in the day, people actually formed their own opinions, and would talk about movies (or TV shows. Or video games. Or whatever) with their friends and family. They used to bring people together and give them something meaningful to talk about.
That wasn’t even that long ago. But this internet age has rapidly turned people into self-righteous punks who simply can’t be bothered to enjoy things.
Now, I’m not saying that people have to like everything. Of course not. There are plenty of things that I don’t like, and this entire site is pretty much dedicated to my opinions. I’m not saying people can’t dislike some things, but the problem is that these days people don’t want to like anything.
In this day and age, people just seem to want to hate everything for any reason they can. I get the feeling that more people watch crappy parody videos on YouTube than they do the actual things they’re parodying. People flock to videos of some angry (and loud… Always loud) people who make fun of movies, video games, or anything else, and more or less tell people to hate them along with them. And the worst part is people go right along with it. Why actually give something an honest, insightful look and form an opinion when you can just write it off for being what it is, because some jerk on the internet said so?
I truly, truly feel bad for the creators of today. Especially those who put their own emotions and experiences into their work, because no doubt they’ll be belittled for creating something that’s more than just a picture with a stupid caption. It’s basically the artistic equivalent of someone opening up about something personal, and receiving mocking laughter in response.
I can’t help but think people laugh during sad moments in movies these days simply because they’ve forgotten how to properly react to something emotionally. Either they’ve covered up their emotions or outright denied them so frequently that they no longer appreciate (or care to appreciate) the honesty of emotion. They’ll talk during a movie because they don’t begin to contemplate that someone else might actually want to enjoy something. They’ll give their predictably contrarian opinions during a movie because clearly they’re better than it.
Frankly, this is all depressing. Gone are the days when entertainment brought people together. Now entertainment is little more than a target for us to aim our cynicism at just so we can pat ourselves on the back. Sincerity can still be found in a few movies here and there. But sincerity in their audience is virtually extinct.