Dark Souls Review

*Review based on Dark Souls release as Dark Souls Remastered*

Dark Souls is a difficult game. Many enemies and bosses can kill you with one stroke, deadly traps will lead to instant death, and invading players always have it out for you. The challenge of Dark Souls has become the stuff of gaming legend. And yet, that difficulty is hardly the summation of Dark Souls. Rather, the steep challenge is justified by being part of one of the most tightly constructed, immersive and overall satisfying experiences in all of video games. Yes, Dark Souls is difficult, but it’s so much more than that.

Director Hidetaka Miyazaki followed the blueprint of his earlier title Demon’s Souls when crafting this spiritual sequel. Dark Souls transcended its predecessor by delving into deeper gameplay territories. The most prominent of which being its merging with the Metroidvania sub-genre, with each land to be discovered in the game connecting with another, and shortcuts between them to be found once you meet the right requirements.

The world in question is Lordran, one of the great settings in video games. The people of Lordran suffer the curse of being undead. Unlike most fantasy stories, the undead of Dark Souls look like human beings, but they are unable to die, instead losing more and more of their humanity upon death, eventually becoming a ‘Hollow’ (essentially a mindless zombie, and more akin to what is usually labeled as ‘undead’). Players take on the role of the ‘Chosen Undead,’ who escapes from the Undead Asylum and arrives in Lordran, where they begin a pilgrimage that is destined to bring them face to face with Lord Gwyn, an old god responsible for the undead curse.

As is the standard for the series, most story and world elements are intentionally vague, with snippets of character dialogue and flavorful descriptions of items giving insight into the world of Lordran. It proves to be one of the more effective means of video game storytelling, with players able to delve into the narrative should they choose, or simply bask in pure gameplay.

From the get-go, Dark Souls’ gameplay presents a staggering amount of variety: Players can customize their character to be more focused on heavy physical damage, magic attacks, healing, quick strikes, and more. And even when you do decide which direction to take your character, there are still several different routes you can take with each build. Even the core gameplay provides different styles, whether it’s a weapon in one hand and a shield in the other, two weapons, a weapon and a staff, there’s no shortage of options. You can even swap into holding a weapon with both hands at the press of a button.

The depth in gameplay just never lets up. There are new mechanics constantly being introduced, and some which are so subtle you may not realize they were there until late into the journey.

Two of the key mechanics players will need to know are souls and humanity. Souls are acquired from defeating enemies, and work as both experience points to level up your character and currency for buying items, weapons and armor. Humanity is a bit rarer, being an occasional drop from enemies and scattered about the world, as well as rewarded for helping other players fell bosses. When the player dies (and you will die), they become Hollow which – along with making their character look more deathly – prevents you from summoning other players for help. Adding to the game’s challenge, every time you die, you lose your souls and humanity (though you retain unused humanity in your inventory). You have a chance to reclaim your lost earnings if you can return to the spot you died, but if you die again before you make it, you lose everything.

The now-iconic Bonfires serve as checkpoints, but are also where you spend souls to level up, repair and upgrade equipment, and where you can spend a humanity to undo the effects of Hollowing. Resting at bonfires also refills your Estus Flask – your primary source of healing – and you can increase the usage of your Flask at any bonfire you’ve kindled, which also costs a humanity. Suffice to say, discovering a new bonfire after a series of rough patches is a godsend.

The sheer amount of detail that emits from every environment of Lordran is staggering. The level design is among the best of any Metroidvania title, with every destination being perfectly staged with enemy and item placements, not to mention secrets around every corner (a number of which rival Symphony of the Night’s inverted castle in how they change and expand upon the whole experience). Even in its most painfully difficult moments, it’s all too easy to get absorbed in Dark Souls’ structure and depth.

If things get too difficult, you can always call on other players to help you out by finding their summon signs across the land (with players usually leaving them around bonfires and boss doors). You can summon up to two other players to aide you in an area until you rid it of its boss, but you can’t summon players when hollowed. There is a caveat to staying human, however, as whenever you’re not hollow you are susceptible to invasion by enemy players. Of course, if you’re getting stuck on a particular segment, or simply want to help or hinder someone else, you can always leave a summon sign or invade another player for a change of pace.

On its own, the multiplayer of Dark Souls – both cooperative and combative – has rightfully proven influential over the years, as it remains a fun and refreshing change from multiplayer norms. But to add another layer to everything, players can join Covenants throughout their journey, which often have their own benefits and rewards for both friendly and fiendish multiplayer.

I suppose we do have to go back and talk about the notorious difficulty of Dark Souls. While the game can get brutally difficult – to the point of intimidating some players – it’s never unfair. Whether its equipping the proper armor to withstand poisoning or finding the right spot to best hide from a boss’ devastating attack, there are always methods to what seems like madness. More importantly, there is always a sense of strategy, with players able to survive any onslaught if they know when to dodge, block or attack. While a lesser designed game may simply leave you throwing your hands in the air and giving up under such difficulty, Dark Souls is so well designed that it will leave you wanting to push yourself to see things through. Dark Souls may have you feeling like Bill Murray in Groundhog Day, going about the same situation in different ways until you get it right. And when you do get it right, there’s seldom an experience in gaming that even approaches its sense of reward.

Though it was originally released in 2011, Dark Souls’ visuals have held up nicely, with the remastered version making it look all the more at home on current hardware. Better still is its art direction, which should rank among the best of the medium. There’s not a location or creature that doesn’t stick with you. Combine that with the game’s incredible musical score and unparalleled sound work, and Dark Souls is quite the spectacle, and presents perhaps the most absorbing fantasy world in gaming.

There are a few minor issues with Dark Souls, but nothing that truly undermines its overall excellence. Later in the game you gain the ability to warp between specific bonfires, though you may wish you gained the ability a little sooner when you find yourself going back and forth in the earlier half of the game. Then there’s the backstabbing mechanic, which is just far too easy for players to perform on one another. While being invaded by opposing players may be par for the course, it kind of sullies a lot of player-versus-player encounters when everyone is simply trying to pull off a backstab on each other in place of using their full moveset. But again, these are little more than quibbles.

Yes, Dark Souls is a very difficult game, but it’s so much more than that. While most of the video game world became preoccupied with trying to replicate the spectacle of Hollywood once the medium made the jump to 3D, Dark Souls instead feels more akin to what would have happened if the older style of games from the 80s and early 90s had evolved into the present day. Like the best games from those early years, Dark Souls requires its players to gain an intimate knowledge of its every last location and trinket in order to see things through. It combines those older traditions with one idea after another that are entire its own, and continues to build on them throughout its entirety.

Dark Souls is a difficult video game. But it also happens to be one of the very best.

Praise the sun!

 

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Totally Hyped for Ni No Kuni II!!

Ni no Kuni II

After Playstation Experience, many gamers were left with even higher anticipation for Uncharted 4, and utter confusion as to whether the remake of Final Fantasy VII is actually a remake at all. But for me, there was one thing that stood out above everything else presented at the event, and that’s Ni no Kuni II: Revenant Kingdom.

When Ni no Kuni: Wrath of the White Witch was released in the US in January 2013, it became one of my favorite RPGs of all time, and despite its release so early in the year, it remained my favorite game of 2013, and my favorite PS3 exclusive.

Though the game sold decently well and got its fair share of acclaim, it didn’t necessarily fly off shelves. And while it won a number of awards in the RPG genre, it failed to gain very many mentions for Game of the Year in 2013 (perhaps because it wasn’t purposefully created to be a Game of the Year like GTAV, Bioshock Infinite and The Last of Us were).

So what made Ni no Kuni so special? For one, it was a good old-fashioned JRPG made new. It didn’t reinvent the genre, but it combined elements from series like Pokemon and Dragon Quest in a way that made it feel fresh and innovative. It had the best cel-shading since The Winder, giving the graphics a gorgeous, timeless appeal. The character designs and cut scenes were created by Studio Ghibli, and composer Joe Hisaishi – famous for his scores for Ghibli films – provided the game’s phenomenal soundtrack. And, of course, it told one of the sweetest stories I’ve ever seen in a video game, complete with one of gaming’s greatest cast of characters.

Ni no Kuni was a terrific game, and holds a special place in my heart for both personal reasons and for the game itself. And the announced sequel looks to keep the heart of the original, which can only be a great thing.

Ni no Kuni III’m not sure what other people’s reaction are to the fact that Ni no Kuni II features the same game world but a new cast of characters. Personally, I don’t think it would make much sense to have the same characters from the first game, since that felt like a complete story (more accurately, two complete stories). I suspect some of the secondary and tertiary characters will show up again, which is perfectly fine, but I’m excited to see where the game goes with the new characters.

The released trailer already gives a brief introduction to some of the characters and plot elements (though only vaguely), and shows how beautiful the series’ visuals look on PS4. Once again Ghibli animators and Joe Hisaishi return for the character designs and music, respectively. And it all looks wonderful.

Of course, the trailer didn’t show a whole lot in terms of gameplay, but there’s still plenty of time for that. Considering it’s only the second game in the series (not counting mobile spinoffs), and that the first one came out almost three years ago already (in the US, in Japan its been almost five), it’s not exactly like the series has seen overexposure. I’m hoping the gameplay remains similar to the first title, with maybe some meaningful additions here and there. There’s no need for a total overhaul at this point.

Sadly, the game has no release date as of yet (otherwise I may have to revise my list of most anticipated 2016 games), but no doubt it has joined the likes of Yooka-Laylee and Zelda Wii U as one of my most hyped games on the horizon.

If Ni no Kuni II is anywhere near as beautiful of a game as its predecessor, it will be a real work of art.