Happy Star Wars Day, everyone! May the Fourth be with you and all that!
Yes, today (May 4th) is the fan holiday in which we celebrate all things Star Wars. The good, the bad, and the Jar-Jar.
Star Wars has seen a lot of ups and downs over the years, but its place in pop culture history has long-since been solidified. It’s the movie world’s most indelible mythology, and has won over our hearts so strongly that it endures even passed its most egregious mistakes (“Somehow Palpatine returned…“).
Happy Star Wars Day you stuck-up, half-witted, scruffy-looking Nerf herders! May the Fourth be with you!
Today also marks the ten-year anniversary of the release of Marvel’s The Avengers! Yes, much like Palpatine’s return, somehow it’s been a full decade since The Avengers was released. Man, I feel old…
Back in 2012, there had been no big superhero crossover movies. Marvel had been slowly building up to it since 2008, when Iron Man kicked off the MCU. We all take it for granted now (and perhaps even Marvel itself does), but in 2012, seeing Iron Man, Captain America, Thor, Hulk, and the B-Team of Black Widow and Hawkeye come together for the first time was magical.
One could even argue that the Marvel Cinematic Universe peaked with the first Avengers film. The “Battle for New York” is still probably the best battle sequence in the entire mega-franchise. While later Avengers movies would tread darker, more serious territory, 2012’s The Avengers was a pure fun delight that remains as entertaining now as it was ten years ago, long after the initial hype has died off (something not a lot of MCU films can boast).
I remember, on this day ten years ago, I actually saw The Avengers twice! I saw it at one theater with one group, and then immediately went to another theater and saw it with a different group. I can’t say I’ve done that with a whole lot of movies.
The Avengers also proved to be one of the most influential films of recent memory, with every studio under the sun trying to construct their own “Cinematic Universes” in an attempt to replicate what Marvel accomplished with The Avengers (though only Legendary’s Godzilla and Kong-fueled “MonsterVerse” has somewhat succeeded). It’s the kind of influence I’m sure James Cameron wished Avatar had.
The MCU has gone a lot of places in the past ten years, with bigger crossovers and larger storylines. But some of that “pure fun” of The Avengers has been lost along the way. Sure, the MCU films are still mostly good (Eternals was a glaring exception. And Loki was kind of a “jump the shark” moment for me). But as the MCU has grown bigger it’s also become a bit too in love with itself, and at times cynical (again, Loki basically said every MCU event before itself was meaningless. Way to pay off fan investment). And the standalone stories are kind of giving way to everything being about the overarching plot, as if Thanos never left.
But in 2012, it was just six super heroes banding together, in a movie that had all the unadulterated enthusiasm as a kid playing with their action figures. And it was good.
Happy tenth anniversary, Avengers! And one more time, May the Fourth be with you!
*Caution: though this review only contains minor spoilers in regards to Endgame’s plot, it does consist of major spoilers to the ending of its predecessor, Avengers: Infinity War*
It’s rare that I see a movie that I feel won’t be replicated. But Avengers: Endgame is one such film. After eleven years and twenty-one previous features, Endgame brings the Marvel Cinematic Universe as we know it to a grand, satisfying close.
Yes, there will be plenty more super hero films in the future, and yes, the MCU will very much continue on. But I honestly can’t see another movie series – even the future MCU itself – managing to pull off an overarching storyline that lasts longer than a decade and culminates after this many films. Endgame marks the conclusion to an unprecedented achievement in filmmaking, one that I simply can’t see happening again on this scale.
Endgame begins a few weeks after the events of Infinity War. The evil Thanos (Josh Brolin) has succeeded in his perceived destiny. He collected every Infinity Stone, and with their limitless power, wiped out half of all life in the universe with a snap of his fingers. The Avengers failed, with half of the super heroes being turned to dust along with half of the rest of the universe. The heroes lost, Thanos won.
As you can probably guess, Endgame takes a more somber tone than the past Avengers films for this reason. While in the past, the Avengers movies served as the means to wrap up collective chapters for their heroes, Endgame is instead largely based on how the surviving heroes cope with the fact that their failure lead to such devastation.
The remaining Avengers (and Guardians of the Galaxy) include Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/the Hulk (Mark Ruffalo), Rocket Raccoon (voiced by Bradley Cooper), Nebula (Karen Gillan), Natasha Romanoff/Black Widow (Scarlett Johansson), James Rhodes/War Machine (Don Cheadle), and Okoye (Danial Gurira). Clint Barton/Hawkeye (Jeremy Renner) also returns to action, after his family is among those turned to dust by Thanos. And Carol Danvers/Captain Marvel (Brie Larson) shows up whenever she deems it convenient for herself.
I won’t divulge too much of the plot in detail, because Endgame takes so many bonkers twists and turns that going into any specifics beyond the first few minutes would feel like a spoiler. Suffice to say, however, that the Avengers look for a means to undo the catastrophic damage Thanos has done to the universe, and just might find a way once Scott Lang/Ant-Man (Paul Rudd) returns from the Quantum Realm, which he’s been trapped in since the mid-credits sequence of Ant-Man and the Wasp.
Despite having missed out on the events of Infinity War, Scott Lang was only in the Quantum Realm for a brief time by his perspective, leading him to believe the Avengers may be able to find a means to manipulate the Quantum Realm to go back in time to gather the Infinity Stones themselves and save the people Thanos wiped out. Not-so-spoiler alert: The Avengers find a way to time travel using the Quantum Realm.
Before you ask the obvious questions that may come to mind when the good guys build a time machine to stop the bad guy, it should be stressed that Endgame makes a point that its concept of time travel works very differently than what we’re used to seeing in movies. And while its idea of time traveling doesn’t always make sense (why is it only Back to the Future got it right?), it does ultimately work for the story that’s being told here.
Time travel is admittedly a risky move on any franchise, as it has often been used as a cliche that’s employed at the point when filmmakers “jump the shark.” But in the case of Avengers: Endgame, it works wonderfully. As the culmination of a decade-long, twenty-two film story arc, Endgame has earned the right to dive headfirst into whatever insane direction it pleases. And I’m happy to say that Endgame is the most flat-out insane feature in the entire MCU.
With such a varied cast of characters now having the ability to go back in time, Endgame uses the premise to not only bring out the best comedic aspects of its heroes’ personalities, but also to create a story that simply couldn’t have existed in any other movie. Endgame makes various callbacks and recreations of the past films in the MCU (sometimes literally, sometimes figuratively), and finds ways to remix and recycle elements from the mega-franchise’s history all while telling a story of its own. It’s a beautiful example of a story actually benefitting from fanservice, with every callback to the Marvel films of yesteryear not only providing a nostalgic glee, but also serving as a piece to the overall puzzle that is Endgame’s storytelling.
Like the preceding Avengers films, Endgame is an exceptional action feature, with every set piece and battle sequence delivering on their staggering promise. The final battle specifically – without giving too much away – is the most ludicrous, ridiculous and fanservice-heavy battle scene I’ve ever seen. It’s wonderful.
Endgame can be a really funny movie at times. Just because the film takes place after the doom and gloom finale of Infinity War doesn’t mean Marvel has lost its sense of humor (especially where Tony Stark and Scott Lang are concerned). But Endgame is ultimately (and appropriately) the saddest and most emotional film in the MCU. It’s everything you love about the Avengers, now with the heart of a Pixar movie.
It is only fitting that, as the series has moved forward, it has also matured and become more serious. Yes, there’s still plenty of action, humor and fanservice to be had in Endgame. But it also has a poignancy about it that makes it feel unique among all the MCU films, which only adds to its status as a fitting finale.
How often is it that we can say a movie franchise has a satisfying conclusion, anyway? It seems like most trilogies lose their footing when it comes to the third entry, and the franchises that go further than that still falter around the same point. But here we have a twenty-two film series, and its grand finale is more than likely the best film of the entire lot. It delivers on all the entertaining aspects of its many predecessors (oftentimes outdoing them), while adding a new sense of emotional weight and depth to the series. Endgame proves to be a surprisingly melancholic and reflective story.
While Endgame may feel like a perfect conclusion to the MCU (so far), it isn’t quite a perfect movie, with at least two elements that feel…off.
The first is that Thanos’s role has been largely reduced. It’s not a total loss considering Josh Brolin had his chance to shine as the character in Infinity War, which was the ‘Thanos movie.’ Much like how the first Avengers film reused Thor‘s Loki to fill the antagonist role as to keep its focus on the heroes coming together, Endgame pulls off something similar by reducing Thanos’s screen time now that we’ve gotten to understand the character. But without spoiling anything specific, I can’t help but feel the means in which Endgame removes Thanos from much of the plot, and how he finds himself back into the proceedings in the third act might feel a bit cheap to some audiences.
Again, that’s forgivable. And depending on who you ask, they may not mind that Thanos has taken a bit of a backseat. Less forgivable, however, is the character of Captain Marvel. One could say she’s this Avengers film’s token “short end of the stick” character (similar to Hawkeye in the original, or Vision in Infinity War), given that she does very little in the movie despite Infinity War’s post-credits scene hyping her up. But unlike the less fortunate characters of past Avengers movies, I’m actually glad Captain Marvel has such a limited presence in the film, because she’s far and away the most unlikable character in the entire MCU.
Between her obnoxious arrogance and her eye-rolling ability to basically do anything, the film gives audiences absolute zero reason to care about the character. The filmmakers of the MCU have – in a shoehorned attempt to capitalize on social movements – backed Captain Marvel into a corner. Either her presence undermines every threat the Avengers face since she can just overpower anyone, or her absence makes her seem like the single most selfish person in the universe, given that she’s supposed to be helping the Avengers save the universe. Essentially, in going overboard and forcing Captain Marvel to be a strong female hero (something the MCU already accomplished – and infinitely more organically – with the likes of Black Widow and Scarlett Witch), they’ve instead turned Captain Marvel into an entirely unrelatable deus ex machina. But again, at least she’s barely in the movie.
Aside from Thanos’s questionable means of entering and exiting the story when necessary, and the utter unlikability of Captain Marvel, pretty much everything else about Avengers: Endgame is top notch. It brings out the best of so many aspects of the MCU, and ties it all together with a stronger emotional weight than ever before.
Yes, the Marvel Cinematic Universe will continue. But I honestly can’t imagine it recreating what has been done here in Avengers: Endgame. The fact that Marvel managed to successfully string together twenty-two movies over eleven years, and bring it all to such a satisfying conclusion is nothing short of a miracle in movie making. There will surely be more Thanos-level baddies whose story arcs will branch across the MCU. But I can’t imagine Marvel (or anyone else) replicating things to this scale again.
For those who have watched the MCU since its humble beginnings with Iron Man in 2008, you’d be hard-pressed to ask for more from a grand finale than what you get here. And for those who yearn for the more innocent early years of the MCU like Iron Man, I imagine that’s what we’ll be going back to for a while as the series rebuilds itself after this most fitting end.
The MCU has grown up alongside its fans, and seeing it reach its apex is a bittersweet rollercoaster. Avengers: Endgame is not only the ending we all hoped it could be, given its unprecedented build-up, but it should also rank as one of the best blockbusters of all time.
*Caution: This review contains spoilers regarding the first few minutes of Infinity War, and regarding the ending of previous MCU film Thor Ragnarok*
The Marvel Cinematic Universe proved to be the most successful gamble in movie history. What was at one time (if you can believe it) a risky move to see if the “shared universe” concept of comic books could be translated to cinema, the MCU has since become the biggest franchise in movie history.
When The Avengers was released in 2012, it brought together Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Bruce Banner/the Hulk (Mark Ruffalo), Thor (Chris Hemsworth), Natasha Romanoff/Black Widow (Scarlett Johansson) and Clint Barton/Hawkeye (Jeremy Renner), the former four having a feature film or two of their own beforehand, and the latter two having ‘guest roles’ in those same features. At the time, this was an unprecedented feat, and marked the point when the MCU came to fruition.
Little did we realize that The Avengers wasn’t the big payoff, but merely the end of the opening act of the Marvel Cinematic Universe. An unseen threat loomed behind the action in The Avengers, with the film’s mid-credits sequence revealing the foe to be Thanos, an intergalactic despot of immense strength and cataclysmic ambitions. That wasn’t a simple tease to the next Avengers film, however, as 2015’s Age of Ultron felt like an odd detour in the proceedings. The Thanos reveal was a glimpse at the full story arc of the entire MCU.
It would take the MCU a full decade from the release of Iron Man – the first film in the mega-franchise – before it reached its crescendo. After eighteen proceeding films from 2008 to 2018, everything came to a head with Avengers: Infinity War, the “first half” of the conclusion of the MCU up to this point.
Yes, after all this time, Thanos (Josh Brolin) decided to finally get off his floating space chair and go on his universal Easter egg hunt for the six Infinity Stones – five of which had been featured as previous plot devices in the MCU – with which he can alter all of reality as he sees fit with the snap of his fingers.
Infinity War begins shortly after the events of Thor Ragnarok. The spaceship housing the last surviving Asgardians after the destruction of their homeworld has been overtaken by Thanos and his cult-like followers, who have already claimed one Infinity Stone. Thanos has killed half of the Asgardians on the ship and subdued Thor, and bests even the Hulk in quick fashion, before finally killing Loki (Tom Hiddleston) to claim the Tesserect, and the second Infinity Stone within it. A dying Heimdall (Idris Elba) uses the last of his power to send Hulk to Earth, to warn its heroes of Thanos’s impending invasion. The Hulk winds up in the Sanctum Sanctorum, where he reverts back to Bruce Banner, and relays the warning to Dr. Strange (Benedict Cumberbatch).
This all happens in about the first five or so minutes of the film. It’s certainly a strong opener for Infinity War, filled with a surprising amount of emotion, and effectively showcasing Thanos as the ultimate threat in the MCU. Though on the downside of things, if you were a fan of Thor Ragnarok, that film’s hopeful ending is undone almost instantaneously here.
Without going into too much detail, the plot from then on out involves Thanos’s quest for the remaining Infinity Stones, and how it draws the various Avengers (and Guardians of the Galaxy) from all over the cosmos to try and put a stop to his machinations. In terms of the sheer amount of characters present from so many different movies, and how the story takes them to different corners of the universe, Infinity War presents an unprecedented scope.
On top of the aforementioned heroes, we also have Wanda Maximoff (Elizabeth Olsen), Vision (Paul Bettany), T’Challa/Black Panther (Chadwick Boseman), Peter Parker/Spider-Man (Tom Holland), James Rhodes/War Machine (Don Cheadle), Sam Wilson/Falcon (Anthony Mackie), and Bucky Barnes/Winter Soldier (Sebastian Stan). In addition, the Guardians of the Galaxy consist of Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax the Destroyer (Dave Bautista), Mantis (Pom Klementieff), Groot (voiced by Vin Diesel), Rocket the raccoon (voiced by Bradley Cooper) and Nebula (Karen Gillan). Strangely, despite being one of the original six Avengers, Hawkeye is suspiciously absent.
Unquestionably, this is the biggest cast of any super hero movie. It would be easy for the film to collapse on itself under the pressure of juggling so many different characters and trying to give them all a place in the story. But Infinity War, against all odds, manages to make it work. Sure, its balancing act isn’t quite as perfectly executed as the original Avengers in 2012, but considering how many more heroes were added to the MCU since then, the fact that Infinity War manages to tell a coherent story at all is in itself a minor miracle.
In an interesting twist on super hero norms, it’s the villain of the story, Thanos, who is the closest thing Infinity War has to a main character amidst its robust ensemble. And this was probably the only way it could have gone. The first Avengers reused a villain in Loki, in order to keep its focus on joining its heroes together, and it worked beautifully. Age of Ultron floundered more than a little bit because it rushed its titular villain’s entire story arc into a single film that was also trying to tell so many other stories.
The MCU as a whole had been teasing Thanos’s role as the ultimate big bad of its mythology since the first Avengers film, though he was mostly shrouded in mystery. His goal of obtaining all the Infinity Stones was made clear from the get-go, but that was the extent of audience’s knowledge of the character. Infinity War ends up working by being the payoff to Thanos’s hype. While The Avengers could keep its focus on the heroes by enlisting a fully-established villain like Loki to fill the antagonist role, Infinity War kind of does the opposite. Seeing as this is the third Avengers film, the MCU is used to seeing its heroes teaming up by this point. By shining the spotlight on a villain we only saw hints of in the past, Thanos is able to become a fleshed-out character, and serves as the anchor that holds this massive story in check. And Josh Brolin gives a standout performance that makes the character live up to the hype.
On the subject of Thanos, I guess it’s only fair to address the elephant in the room. The Mad Titan’s motives for wanting the Infinity Stones is finally made clear in Infinity War, and it’s proven a bit divisive.
After Thanos’s home planet became overpopulated, its resources were ravaged at an alarming rate, leading to the planet’s complete collapse. After that, Thanos became obsessed with population control, and initially accomplished this by means of traveling to different planets with his armies, and killing half of their population, thus “saving” those worlds from suffering the same fate as his, in his warped mind. Thanos seeks the all-powerful Infinity Stones because, with all six incrusted in his gauntlet, he can eliminate half of all life in the universe with a single snap.
The point of contention with all this being that, if possessing every Infinity Stone would essentially make Thanos omnipotent, why wouldn’t he use such godlike ability to create more resources in the universe? Even I admit that point popped up in my head the first time I watched Infinity War. However, everyone who cries foul that this is some sort of gaping plot hole is sorely mistaken. It’s certainly not a plot hole (at worst it would be considered inconsistent logic within the character), but repeat viewings have proven this to be entirely consistent with Thanos as he is portrayed in the film.
Thanos is an unflinching sociopath. He is nihilistic when it comes to the lives of others, and has a god complex when it comes to himself (suffice to say, a volatile combination). In his perverted mind, making more resources would mean people would ravage them twice as fast. He’s utterly faithless and hopeless in regards to his fellow man. Not to mention, by controlling the population of the entire universe, Thanos would simultaneously be feeding his god complex.
Some would argue that such details need a better explanation in the film, but do they really? If you take the time to study the character, instead of just jumping at the first opportunity to lambast a movie for its perceived faults, Thanos’s actions explain it all. Besides, it’s a vast improvement over the comic book version, in which Thanos is in love with the personification of death, and wishes to wipe out half of all life to win her affections (Geez! Killing half the universe just to impress a girl? Slow down there, High School!).
What ultimately matters, however, is that Infinity War succeeds in making Thanos the ultimate threat of the Avengers and company. Though some may miss the carefree entertainment of the first Avengers film, it makes sense that the series would grow up and mature for its grand finale. And Infinity War is a fittingly dramatic epic that brings a sense of urgency to the MCU that hadn’t been felt before.
That’s not to say that the fun has gone away from the series. Our heroes retain their distinctive personalities and sense of humor, so the film still finds time to lighten the mood when it’s appropriate (with Tony Stark and Drax getting the best comedic bits). Just don’t expect the villains to be cracking jokes in the way Loki and Ultron did.
Naturally, there’s still a good deal of action sequences to be had, some of which are among the best in the MCU. There may not be a single battle as memorable as the fight for New York at the end of the first Avengers, but we still get a good fill of action set pieces.
Infinity War isn’t perfect, of course. There are so many characters here that, naturally, some will comparatively get lost in the shuffle. It seems every Avengers film features a character who drew the short end of the stick (Hawkeye in the original, Ultron himself in Age of Ultron). Here, it’s Vision who comes across as little more than dead weight for the team. Sure, not everyone could have a big role in a film that has so much going on, but considering the character entered the picture in Age of Ultron with some promise (he managed to lift Thor’s hammer), the fact that he fizzles out so spectacularly in the big payoff movie makes Vision feel like a disappointment.
As stated, Infinity War just has so much going on, that it doesn’t always have as clear of a focus as the first Avengers (though it certainly has more of it than Age of Ultron). Again, I can’t be too hard on it, because the fact that it works at all – let alone as great as it does – is a true achievement. But I’d be lying if I said there aren’t a few moments of exhaustion from the sheer size of the film.
Avengers: Infinity War may have some rough edges, but it is no doubt an appropriately epic and dramatic first chapter to the conclusion of the MCU (so far). It ups the stakes of previous entries considerably, and even tugs at the heart at times. And even when the film may start to feel overstretched at times, it’s memorable villain who lives up to the hype, in combination with the returning personalities of the heroes, helps keep it afloat. This is a grand finale (at least, the first part of it) that actually feels grand.
Age of Ultron, the 2015 follow-up to The Avengers, is an interesting movie, but not always for the right reasons. While 2012’s Avengers was a simple, focused showcase of action and fanservice, Age of Ultron seems unsure of what it wants to be. The Avengers movies should be the apex of their respective “phases” of the Marvel Cinematic Universe, culminating the individual story arcs of the heroes of the preceding films, and giving a justifiable reason for them to collectively close those chapters of their stories. Age of Ultron, however, rarely seems like the follow-up to what its predecessors were building towards, and often seems preoccupied with hyping up the movies to come. Combine that with a villain’s story arc that feels rushed into the proceedings, and Age of Ultron is the Avengers film that feels all over the place.
Age of Ultron reunites the Avengers: Tony Stark/Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/the Hulk (Mark Ruffalo), Natasha Romanoff/Black Widow (Scarlett Johansson), and Clint Barton/Hawkeye (Jeremy Renner). They’ve successfully raided the fortress of the Hydra commander Baron Wolfgang von Strucker, who was in possession of Loki’s staff (spear, scepter, whatever) from the first Avengers film. It’s here that the Avengers first encounter Wanda and Pietro Maximoff (Elizabeth Olsen and Aaron Taylor-Johnson), twins who have been given superhuman powers by the experimentations of Strucker (Wanda has telepathic/energy powers, and Pietro can run at super speeds).
Later, Tony Stark and Bruce Banner discover that the gem on Lok’s staff possesses an artificial intelligence, and in secret from the rest of the team, decide to utilize it to finish Tony Stark’s dream of the “Ultron” global defense system.
Things don’t go as planned, however, and Ultron gains a sentience that – after instantaneously developing knowledge of the world via the internet and various databases and archives – determines that humans are in need of extinction. Ultron destroys Stark’s beloved AI, J.A.R.V.I.S. (Paul Bettany), and takes control of many of Stark’s machines, creating an army of robot bodies for himself. Ultron (James Spader) sets out to bring about human extinction, and recruits Wanda and Pietro – who only wish to defeat the Avengers and are unaware of Ultron’s true intentions – to his cause. Naturally, it’s up to the combined efforts of the Avengers to put a stop to Ultron’s evil plot.
The idea that the Avengers needing to save the world from an evil robot may not sound too complex of a plot, but thanks to a few creative missteps, Age of Ultron ends up feeling overstuffed and confused as to where it wants to go. There’s still entertainment to be had with Age of Ultron, but it falls considerably short of its predecessor by not studying what made the first Avengers work so well.
The first of Age of Ultron’s great sins is Ultron himself. Though Spader gives a good performance – adding a touch of humor to the mad machine’s menace – the character often feels lost in the shuffle. The original Avengers worked so well largely because it resurrected an established villain. Loki had his introduction in Thor. His character, motivation and power were all introduced in that film. By bringing Loki back for The Avengers, the film didn’t need to take the time to establish him as a threat, and instead could focus almost entirely on the idea of the heroes teaming up to stop him.
By contrast, Ultron’s introduction in his titular movie feels insanely rushed. At no prior point in the MCU was Stark’s idea for any global defense system (let alone one named ‘Ultron’) ever brought up. Age of Ultron rapidly presents the idea as something Stark and Banner have discussed before, sees them create the AI, and shows Ultron gain sentience and go berserk all in a single scene. The film then scrambles to make Ultron a viable threat that warrants the necessity of the Avengers to reunite.
Ultron would have worked so much better as a villain if he had a proper build. Perhaps if Stark’s idea for Ultron – and his and Banner’s work on the project – were established in a previous film, then Age of Ultron could have simply seen the AI go rogue and become the villainous robot he was destined to be. As it is, Ultron’s very presence feels rushed into the film, and because his entire arc is presented in a film that already had to continue the arcs of each Avenger (in addition to introducing Wanda and Pietro, as well as Vision, an artificial super being with J.A.R.V.I.S.’s conscience), it makes Age of Ultron feel more bloated than epic.
The other big issue with Age of Ultron is that much of it is sidetracked with hyping up the future of the MCU. Every MCU film hints and teases at what’s to come in the mega-franchise, but the Avengers films should serve as some form of closure. Sure, the original Avengers brought us the initial glimpses of the MCU’s big bad in the form of Loki’s cosmic benefactor, but it did so on the side. The Avengers linked to the greater mythology of the MCU through that one element, but it was underplayed, with the film otherwise bringing a sense of closure to “Phase One” of the Marvel Cinematic Universe. Age of Ultron, by contrast, features an entire subplot of Thor having visions of the Infinity Stones, and the big bad who wishes to claim them. We even get a few teases of Black Panther with the presence of Ulysses Klaw (Andy Serkis) and several Wakanda name drops.
2012’s Avengers wrapped up everything that preceded it with a nice little bow, while giving a small hint of the future. Age of Ultron, unfortunately, is so preoccupied with hyping future installments that it’s own story – which already didn’t have the luxury of being built up in previous films – flounders because of it.
With all this said, Avengers: Age of Ultron isn’t an all-out bad movie. It still contains some top notch action set pieces that should satisfy any super hero fan (though none of the action scenes here match up to those of the original Avengers). And the returning Avengers still have their distinct personalities, with plenty of fun quips and one-liners still present (one particularly funny running gag involves the technicalities of Thor’s hammer, and how only the “worthy” can lift it).
There’s still fun to be had with Age of Ultron. There are plenty of moments that provide some good, solid entertainment. But when it faces the inevitable comparison to its predecessor, it falls considerably short. The first Avengers could have been a disaster with all the elements it had to juggle, but it miraculously weaved them all together in a way that delivered a satisfying coming-together sequel of all its involved parties. Age of Ultron simply didn’t repeat what made its predecessor such a roaring success.
The Avengers films should be the culmination of what all the preceding MCU features build towards. But Age of Ultron doesn’t continue what any of its predecessors started, and is so busy being a hype machine for future MCU installments, that it simply doesn’t live up to its status as an Avengers film.
In 2008’s Iron Man, its now-trailblazing after-credits sequence featured Nick Fury (Samuel L. Jackson), an agent of the organization S.H.I.E.L.D., confront Iron Man himself, Tony Stark (Robert Downey Jr.). Fury would utter the line “I’m here to talk to you about the Avengers initiative.” This was the first tease of the Marvel Cinematic Universe, a bold concept that sought to link different Marvel movie franchises together as part of one singular mega-franchise.
Having multiple narratives take place in a shared mythology was something that comic books (and to a lesser extent, video games) had been doing for decades. But such a concept seemed too monumental a task to undertake in the movie world. Comics and video games provided easier means for creators to spread out their own works. But movies would require different creators to work on different films (often simultaneously), giving each their own unique vision, while also weaving them into a coherent whole.
Iron Man was followed by The Incredible Hulk (2008), Iron Man 2 (2010), Thor (2011) and Captain America: The First Avenger (2011), each one featuring teases and hints of a greater franchise shared between them. The Marvel Cinematic Universe came to fruition with the release of The Avengers in 2012.
The Avengers brought together the stars of the five previous films: Iron Man, Captain America (Chris Evans), Thor (Chris Hemsworth) and Bruce Banner/Hulk (Mark Ruffalo, mercifully replacing Edward Norton from the 2008 film), in addition to two other heroes featured in the previous films, Natasha Romanoff/Black Widow (Scarlett Johansson) and Clint Barton/Hawkeye (Jeremy Renner).
The heroes are all brought together when Loki (Tom Hiddleston) – the villainous brother of Thor – is transported to Earth, and absconds with the Tesserect, an all-powerful energy source, which was being studied by S.H.I.E.L.D. Loki, under instruction from a mysterious cosmic despot, is equipped with a magic weapon that can control the minds of others (the film humorously can’t decide if this weapon is a spear, staff or scepter). Loki takes control of several S.H.I.E.L.D. agents (including Hawkeye) and one Dr. Selvig (Stellen Skarsgard), and makes off with the Tesserect, destroying the S.H.I.E.L.D. base in the process. A desperate Nick Fury decides now is a grave enough situation to finally act of the Avengers Initiative.
It’s a simple enough setup, but that’s part of why the film ends up working so well. It never overthinks what it needs to be, and wisely understands that the literal plot isn’t what needed all the time and attention in this particular instance. The important thing was how to bring all these characters together and how they interact with one another.
Naturally, there is conflict among our heroes, with their differing personalities butting heads with one another, particularly Captain America and Iron Man (the former being the ideal selfless hero, and the latter, while still ultimately good, is an arrogant showman). Thor, being from another world and still having sympathy for his vengeful brother, is often at odds with the earthly heroes. And there’s always the lingering tension that Bruce Banner can, at any minute, become the monstrous Hulk. It’s Nick Fury and Black Widow who have the coolest heads among them, while Hawkeye gets the short end of the stick as a mindless zombie under Loki’s control for most of the film.
There was something truly special about seeing all these heroes come together on the big screen back in 2012. And even though the MCU is omnipresent nowadays, there’s still a lot of charm exuding from this first Marvel hero get-together.
Another reason The Avengers works so well is that it functions as a proper sequel to all parties involved. The Avengers can be enjoyed on its own merits (another big plus), but it made the wise decision to utilize assets established in all five of its preceding films in order to tell its own story. The joining together of the different heroes is obvious, but re-using an established villain in Loki was a brilliant move. As the bitter younger brother of Thor, we already know his personality, his desires, and his goals. He’s an established threat powerful enough to justify the coming-together of all these heroes. And after his defeat at the hands of his brother in Thor’s titular film, Loki is more determined than ever, and wishes to enslave the Earth as a petty means to get back at his brother. Even the plot device Loki wishes to use, the Tesserect, was first introduced in Captain America: The First Avenger.
None of these aspects simply feel recycled, however, and instead The Avengers uses these established characters and elements to build its own narrative. Some of the characters, including (if not especially) Loki, even became more fleshed out with their appearances here. As stated, there’s not a whole lot to the storyline other than “good guys need to team up to stop the bad guy,” but that’s part of why The Avengers works as well as it does. The previous five installments of the MCU gave us the stories of these characters, and Avengers was to be their big, fanservice-heavy collective sequel. It’s not an origin story like its predecessors, but one big action movie that happens to star the heroes of five previous super hero films.
The action set pieces remain some of the best not only in the MCU, but of the entire movie decade. It’s final battle – which sees Loki summon an army of aliens called Chitauri into New York City – is an extensive battle sequence that ramps up the excitement as it goes on. It should rank as one of the best battle sequences in movie history, and was inarguably the best since The Lord of the Rings trilogy gave us the battles of Helms Deep and Minas Tirith.
But The Avengers is also a very funny movie, which adds to its entertainment value. This is a rare example of a movie which gives each of its distinct characters the opportunity to ease the tension with one-liners and witty quips. Naturally, the sarcastic Tony Stark dishes out the most zingers, but the humor is successfully spread throughout its cast, playing uniquely into each of their distinct personalities. It’s a genuinely funny movie.
The MCU would naturally mature over time, with appropriately more dramatic storytelling. But the first gathering of the Avengers was just all-out entertainment. And there’s something that remains delightful about that. It hints at the largest threat of the MCU (Loki’s mysterious benefactor seems important), but only does so in small doses, and wisely keeps its focus on the individual heroes needing to set aside their differences for a greater good. It’s a rare instance of a big blockbuster in the 2010s knowing exactly what it needs to be, and doing just that.
Yes, the MCU has grown up a lot in the seven years since The Avengers was released. And the heroes have now shown up so frequently in each other’s movies that seeing them all join together here may not seem as mind-blowing as it once did. But The Avengers is still perhaps the ideal go-to entry of the MCU for those simply looking for a consistently good time.
Ant-Man, the newest release in Marvel’s seemingly endless canon of super hero movies, is now in theaters. The good news is it’s mostly enjoyable.
I say “mostly” because I still think the movie had some big problems in regard to its villain, who simply couldn’t have been more cartoonish (what is up with these recent Marvel movies and lame villains? Even Guardians of the Galaxy, great as it was, had a disappointing bad guy). And I admit a lot of the movie felt like it was simply going through the motions (if you’ve seen one super hero origin story you’ve pretty much seen them all). But overall I thought it was a lot of fun.
Ant-Man is, appropriately, a much smaller movie than Avengers: Age of Ultron, and I really liked that about it. It seems like every super hero movie these days is aiming for bigger, louder, and more destructive. I really enjoyed that Ant-Man was a relatively small movie, and I liked that its hero became more by becoming less, which is the exact opposite of every other Marvel hero we’ve seen on screen thus far.
Also, unlike Age of Ultron, Ant-Man also has a rather straightforward plot. I kind of grew impatient with Age of Ultron’s comic book gobbledygook. It just got more and more convoluted as it went on. Not so with Ant-Man, which sets things up simply and just builds on its (often ridiculous but consistently fun) premise.
Scott Lang (Paul Rudd) is a thief who has spent time in jail and is separated from his wife and daughter. Scott wants nothing more than to spend time with his daughter, but finding (and keeping) work with his criminal record isn’t easy, so he isn’t able to pay child support, and thus is unable to see his daughter. In desperation, he returns to his criminal ways to make some quick cash, only for his big score to end up being a setup by a reclusive scientist named Hank Pym (Michael Douglas), who needs Scott’s special skills to become the Ant-Man via a shrinking suit of Pym’s invention.
I liked the story for three primary reasons: The first is that Ant-Man changes up the usual super hero formula by turning it into more of a heist movie than the usual action-based setup of Marvel’s movies. There are still fight scenes and a few action spectacles, but it’s all built around the Ant-Man sneaking into the stereotypical bad guy corporation’s building and destroying data files on a deadly formula. And when it finally delivers its action-packed finale, it’s one of the more original to be found in the Marvel Universe, as it takes place in a child’s toy-filled room.
The second reason is that Ant-Man is a ridiculous concept by definition, but the movie doesn’t make a complete joke out of it. There’s humor in Ant-Man, of course, but it plays its concept with enough seriousness to be taken seriously. I seem to be in the minority here, but I can’t stand it when movies like this go completely tongue-in-cheeck. Just because the nature of a story may be ridiculous it shouldn’t have to mean it needs to make a joke out of itself. A lot of internet nerds seem to like movies that “make fun of themselves.” I typically don’t. And I like that Ant-Man is with me on this.
The third reason is that, while the characters may not be complex, the movie gives enough attention to them to make you care (if only Age of Ultron had been so wise). Scott Lang having a daughter as his motivation makes him stand out from the other Marvel heroes and makes him sympathetic despite being a thief. Pym and his daughter Hope (Evangeline Lilly) have a complicated relationship due to the death of Hope’s mother, but they are put into a situation where they need to work together nonetheless. The obvious exception is the aforementioned villain, Darren Cross (Corey Stoll), who fits so squarely into the evil, rich businessman cliche that he just might be a parody of it.
Ant-Man might not be the next greatest super hero movie, but it is one that at least feels refreshing in some areas. I honestly wasn’t expecting too much, and while it still has some Marvel tropes working against it, I thought it was ultimately enjoyable. I’m still a little on the fence with the small army of Marvel movies on the horizon, but at least Ant-Man gives me hope that the Marvel Cinematic Universe still has some life left in it.
The Avengers: Age of Ultron is now one of the highest-grossing movies all time. That’s not too surprising, since it seems like all a movie needs to do to make such a claim these days is have a lot of super heroes and visual effects. But, Age of Ultron is an enjoyable movie, which is more than you can say about most billion-dollar movies. Age of Ultron is more entertaining than more cynical nerds would want to admit (“I found one tiny flaw so now everything about it sucks and it betrayed the comics!”), but it also has its share of problems. Here are the things I loved about Age of Ultron, followed by the things I, well, didn’t.
With Marvel’s The Avengers: Age of Ultron upon us – bringing an end to “Phase Two” of the Marvel Cinematic Universe in the process – I figured now is a good time to compile a top ten list of the currently released movies of the Marvel Cinematic Universe. Here’s my ranking of the ten movies from the Marvel Cinematic Universe’s phases one and two from least to greatest. Here they are.