Movie Awards 2020: Best Streaming Series

Ah, here we are in the tail-end of June 2020, and I’m only just getting back to my awards for 2019 movies… Look, it’s been a rough year for all of us, okay!

Anyway, with the advent of streaming services, the line between movies and television series has become thinner and thinner, with the streaming format allowing shows the gateway to tell stories much closer to their big screen kin than they could on the weekly schedule of television (admittedly, shows such as Twin Peaks and Arrested Development used a more cinematic  structure, but they were ahead of their time). Because of this – and also because I haven’t started talking about TV/streaming series in the same capacity as I do movies and video games just yet – I decided to lump an award for “Best Streaming Series” in with my movie awards this time around. I may even make this a Wizard Dojo tradition. Who knows?

At any rate, I’m not sure if there’ll be any other individual movie awards from me this year after this, and I may just do my top 10 favorite films of 2019 countdown, seeing as it’s taking me an eternity already. So I hope you enjoy this.

 

Winner: The Dark Crystal: Age of Resistance

It seems the streaming series that caught everyone’s attention in 2019 was Disney+’s The Mandalorian. While that show is great (and probably the only piece of Star Wars media that’s genuinely liked these days), it wasn’t the best streaming series of the year. That honor goes to The Dark Crystal: Age of Resistance which, for my money, is the best cinematic fantasy epic since Peter Jackson adapted The Lord of the Rings for the big screen (I know some people would bring up Game of Thrones, but…no.).

Serving as a prequel to Jim Henson’s imaginative (if maybe unfocused) 1982 film The Dark Crystal, Age of Resistance far surpasses the original work, and gives Jim Henson’s world of Thra a story that’s worthy of its imaginative world.

Age of Resistance sets the gears in motion for the events of the movie, but not in such a way that would make it a chain of fan service events making callbacks to the original feature. This series tells a compelling story of its own, with its own cast of characters, as well as a few returning faces from the 1982 film. That these characters all happen to be puppets and costumes quickly becomes an afterthought as you get swept away in Age of Resistance’s unique fantasy world and rich storytelling.

Rumblings of a second season continue, though nothing official has been confirmed yet. Then again, it took the creators of the series years to complete the first season, so hopefully a potential second season is just a matter of time. Honestly, I wouldn’t mind if the series eventually remade the events of the 1982 film as one of its seasons. This series is what Jim Henson’s passion project was always meant to be.

If a possible second season is as good as the first, it will be more than worth whatever the wait may be.

 

Runner-up: Stranger Things 3

Runner-up: The Mandalorian

The Dark Crystal Review

Jim’s Henson’s 1982 feature film, The Dark Crystal, was quite different from the beloved entertainer’s other creations. Though The Dark Crystal features a cast entirely comprised of puppets, costumes and animatronics, the film is notably darker in tone than what you would usually expect from the creator of the Muppets. Boasting a heavy dose of fantasy world-building and a genuinely imaginative mythology, The Dark Crystal can be wondrous to behold, and the film has gained a strong cult following in the decades since its release.

It’s a shame then, that the movie isn’t particularly good.

It’s an unpopular opinion to dare besmirch pretty much anything that has the name Jim Henson attached, but for all its imagination and visual splendor, The Dark Crystal has little to nothing to speak of in regards to character depth, with its main character in particular being arguably the most boring hero in any fantasy film.

Set in the world of Thra, the plot of The Dark Crystal takes place one-thousand years after a planet-altering event. The “Crystal of Truth” – a magic crystal of unspeakable power – was cracked, an event that brought forth two new races to the world of Thra. One of these races were the urRu (referred to in the film simply as “Mystics”), kind-hearted, sagely, four-armed beings which bear a passing resemblance to a combination of camels and turtles. The other race spawned from the Crystal cracking were the Skeksis, malevolent creatures which look like a humanoid cross of birds and lizards.

“The Dark Crystal is evidently one of the crystals from Crash Bandicoot.”

The pacifistic, somewhat-apathetic Mystics proved no match for the cunning and devious Skeksis, who banished the Mystics from the Crystal’s palace, learned how to harness the Crystal’s magic to gain power over the other races of Thra, and grant themselves immortality (though because the Skeksis share a life-bond with the Mystics as a result of their simultaneous “birth” from the Crystal, the Skeksis’ rituals have given the Mystics immortality as well). Under the command of the Skeksis, the Crystal of Truth became known as the Dark Crystal, which has allowed the Skeksis to rule over Thra in the thousand years since they came into being.

There is a sliver of hope for Thra, however, as one of the planet’s natural races – the elf-like Gelflings – have prophesied that one of their own will reunite the lost shard of the Dark Crystal to its rightful place, and bring an end to the Skeksis’ rule. Fearing this prophesy, the Skeksis sought to eradicate the Gelflings, wiping out all but (unbeknownst to the Skeksis) two of them.

One of these Gelflings is Jen (voiced by Stephen Garlick), who was taken in by the “wisest Mystic” after he was orphaned. The wisest Mystic believes Jen to be the Gelfling of prophesy, and is preparing the boy for the day he must set out on his journey to save Thra. But that day is fast-approaching, as the Crystal must be restored before the “Great Conjunction,” an event that occurs once every thousand years in which three suns are aligned and bring out the Crystal’s full power in a kind of planet-wide reset. If Jen fails to restore the Crystal in time, the Skeksis can use its power during the Great Conjunction to ensure they rule Thra forever.

That may be a lot of explanation, but on the bright side of things, the mythology of it all is incredibly imaginative, so the exposition remains interesting. Though The Dark Crystal ultimately stumbles as a film because it fails to make any of its characters as memorable as its mythology and the visuals used to bring it to life. The film even fails to properly communicate certain elements of its plot.

A prominent example of the latter issue is that the wisest Mystic sends Jen on the quest for the Crystal shard on his death bed, at the same time as the Skeksis emperor is dying. During the film, this comes off as a glaring plot hole. After all, the Skeksis use the Crystal’s power for immortality, which extends the life of their counterpart Mystics as well, so how could a member of either race be dying of old age?

It turns out there’s an explanation, though it was only brought up in the film’s novelization and other such “expanded reading” materials of the franchise. With the Great Conjunction drawing near, the wisest Mystic – knowing he shared his life-link with the Skeksis emperor – found a way to magically “will himself to death” in order to bring about the Emperor’s demise as well. The Mystic did this because the Skeksis Emperor had grown so great in power that his death was necessary to give Jen a fighting chance (way to believe in your hero).

It’s not the best explanation, but maybe it would seem a bit less flimsy if it were actually brought up in the movie!

Still, this scene in question does bring out one of The Dark Crystal’s few resonating moments. We get a clever contrast in the deaths of the two leaders: The wisest Mystic has a humble passing, vanishing into sparkling dust with only Jen present. Meanwhile, the Skeksis Emperor – defiantly clutching onto his power until he breaths his last breath – crumbles into dirt on his garishly-decorated deathbed as his subordinates anxiously wait for him to die, so they can decide which of them claims the throne.

Sadly, such moments truly are a rarity in The Dark Crystal, especially since Jen is as empty of a main character as the filmmakers could have concocted. I am dead serious when I say that Jen has no discernible character traits. He has no personality whatsoever. He’s just a blank figure wandering around the plot. Jen is so poorly thought out that when we actually get some moments alone with the character that could potentially give him some time to develop, all he does is blatantly ask stupid questions like “What is this shard for?” and “What do I do with it? Am I supposed to take it somewhere?” Thanks for reiterating the plot basics, Captain Obvious!

“Kill it with fire! And ice! And lightning!”

Another problem with Jen – and perhaps this is a petty complaint – is that he is the single ugliest creature in the film. The other living Gelfling, a female named Kira (voiced by Lisa Maxwell), serves as the film’s deuteragonist, and is only marginally less creepy. In a film filled with so many wondrous creatures, it’s baffling how the main characters ended up being the most unappealing, unintentionally frightening creatures in the film.

Nightmares induced by the Gelflings aside, The Dark Crystal is a visual treat, possibly one of the best special effects films from a purely visual standpoint. The puppets and costumes are on-par with those of Star Wars, and they still impress all these years later. The Skeksis, in particular, should rank highly on any list of the best practical effects in movie history.

It’s actually pretty tragic, that The Dark Crystal stumbles so drastically on the narrative front. If its characters were half as memorable as its visuals and mythology, it would be a real classic of fantasy cinema. Unfortunately, none of the characters seem to exist outside of where the plot needs them, with the only semblance of personalities being found – once again – in the character designs for the Skeksis. Unfortunately, the only Skeksis who gets a decent amount of screen time happens to be the Chamberlain, whose constant, high-pitched “Hmmmms” might get on some viewers’ nerves (though I personally find them hilarious). Other than what you can make out of the Skeksis’ personalities through their designs, however, The Dark Crystal has nothing to speak of in terms of characters.

“Hmmmm! Hmm! HMMMM!”

Perhaps The Dark Crystal would have been a better film if its narrative were told from the perspective of the Skeksis, despite their role as antagonists. As loathsome of creatures as they are, the Skeksis are fascinating to watch, infinitely more so than the boring and charmless Gelflings. That’s for damn sure.

The Dark Crystal exists in a weird place for me, one that’s inhabited by a very small handful of films. That is to say, it’s one of the few films that I simultaneously like and don’t like. It’s rich in imagination and visual splendor, making it recommended for fans of practical effects and fantasy lore. But if you’re viewing it as a movie (which, you know, it is), it leaves a lot to be desired.

As of this writing, Netflix will soon release a prequel series to The Dark Crystal. Here’s hoping that said series finally brings out a story and characters worthy of the imagination Jim Henson littered Thra with.

 

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